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The volume is aimed at preserving invaluable knowledge about Ainu, a language-isolate previously spoken in Hokkaido, Sakhalin, and Kurils, which is now on the verge of extinction. Ainu was not a written language, but it possesses a huge documented stock of oral literature, yet is significantly under-described in terms of grammar. It is the only non-Japonic language of Japan and is typologically different not only from Japanese but also from other Northeast Asian languages. Revolving around but not confined to its head-marking and polysynthetic character, Ainu manifests many typologically interesting phenomena, related in particular to the combinability of various voice markers and noun incor...
The goal of this volume is to examine academic discourse (AD) from cross-linguistic and cross-cultural perspectives. The adjective "Cross-cultural" in the volume title is not just limited to national contexts but also includes a cross-disciplinary perspective. Twelve scientific fields are under scrutiny in the articles. One of the unique aspects of the volume is the inclusion of a variety of foreign languages (English (as a lingua franca), Spanish, French, Swedish, Russian, German, Italian, and Norwegian). Besides, in several articles dealing with oral AD, comparisons and parallels are also established with written AD. The research methodologies used in the studies are varied and they offer an overview of the diversity and richness of approaches to AD. All in all, it is hoped that the volume appeals not only to young researchers but also to confirmed scholars interested in cross-linguistic and cross-cultural aspects of AD. It will also be of interest to language teachers or teachers who are involved with e.g. international students and academic mobility.
This book presents a comprehensive and critical overview of historical phonology as it stands today. Scholars from around the world consider and advance research in every aspect of the field. In doing so they demonstrate the continuing vitality and some continuing themes of one of the oldest sub-disciplines of linguistics. The book is divided into six parts. The first considers key current research questions, the early history of the field, and the structuralist context for work on segmental change. The second examines evidence and methods, including phonological reconstruction, typology, and computational and quantitative approaches. Part III looks at types of phonological change, including...
Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France's most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer's poetic form and theory, focusing on the themes of illusion, dece...
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
Dans ce recueil d'études sur la poésie française du dix-neuvième siècle, réunies pour honorer le professeur Eileen Souffrin-Le Breton, des chercheurs spécialistes portent un regard nouveau sur divers poètes romantiques, parnassiens et symbolistes. L'ensemble met en valeur les nombreux liens entre les grands noms du canon et les poètes marginalisés, les grands et les petits romantiques, les Parnassiens et les symbolistes, dans leur recherche de la modernité à travers l'exploration dynamique et concentrée des formes et de la matière poétiques. Dans ces études, les noms de Musset, Baudelaire, Gautier et Mallarmé côtoient ceux de Quinet, Borel, Banville et Heredia. Cet ouvrage met en évidence, au-delà des étiquettes d'école et des consécrations littéraires, la grande diversité des approches de la définition d'une poétique moderne.