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As a young fourteen-year-old African American five-month pregnant girl, I was nearly killed by my Mother. Scars were left behind when my Mother put me in the New York Foundling Hospital for pregnant young girls. I was pretty much on my own. I didnt have a Father figure growing up; because my daddy died the day before I turned four years old. I didnt have a Mother figure; because my mothers alcoholism led her to be abusive to her children, and the ones around her. My Mother didnt teach me about the facts of Life, and my brothers and sisters werent sibling figures; because they were older, and into themselves. Throughout my Trails and Tribulations in my Life, I left Scars behind from my peers ...
This author appreciates writing poetry, novels, childrens stories; the performing arts; and music of many genres. She was raised on gospel and country music played on an old Victrola phonograph with a black-and-white dog staring into a gramophone on the inside of the cover. Today, this author has become enamored with and is fangirling over country a cappella music, which is relatively new. Curious about the behind the scenes activities of a successful bands life, living on the edge of temptations in todays media-frenzied world, she created a believable group running through life on unbelievable favor, spearheaded by love between a wealthy, incredibly intelligent and beautiful African-America...
A father frets over his son's future while reexamining his own past in John P. Marquand's enduring portrait of America on the brink of World War II A script doctor who divides his time between Manhattan, Hollywood, and a country home in New England, Jeffrey Wilson has entered middle age with all the trappings of success. Yet, in the months leading up to the attack on Pearl Harbor, he feels increasingly anxious and isolated. He fears that his eldest son, a college sophomore, will be called to fight before he has had a chance to live on his own terms. Two decades ago, Jeffrey served in World War I, and his life since then seems like a series of accidents. Instead of the journalism career he as...
Histories, Practices, Interventions: A Reader in Singapore Contemporary Art brings together key writings about ideas, practices, issues and art institutions that shape the understanding of contemporary art in Singapore. This reader is conceived as an essential resource for advancing critical debates on post-independence Singapore art and culture. It comprises a total of thirty-three texts by art historians, art theorists, art critics, artists and curators. In addition, there is an introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well as three section introductions contributed by Seng Yu Jin; artist, curator and writer Susie Wong; and art educator and writer Lim Kok Boon.Bundle set: A Reader in Singapore Modern and Contemporary Art
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