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This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
Sadomasochistic "Beowulf” applies gender/queer theory to the study of Old English literature, advancing the knowledge of both fields. Its arguments are formulated through the works of Sigmund Freud, Michel Foucault, Gilles Deleuze, Roland Barthes, Judith Butler, Leo Bersani, Georges Bataille, and others. The project explores a field of queer pleasures associated with the dispersal of the self, the extinguishing of the ego, the submission to a more dominant psyche, the postponement of jouissance, and with what Volker Wolterdorff calls "masochistic self-shattering.” The book covers a range of Old English texts from heroic verse narratives to the prose texts of devotional and penitential anthologies and relates these to the poem Beowulf.
Richard Webb was born at Bearly, Warwickshire, England, in 1580. He immigrated to America ca. 1626 and lived at Cambridge and Braintree, Massachusetts, and Norwalk, Connecticut. He died in in Norwalk in 1656. Descendants lived in Connecticut, Massachusetts, New York, and elsewhere.
"This work covers the wills, inventories, distributions of estates, and court records of the men and women who settled in that fecund district of Connecticut embracing Hartford, Wethersfield, and Windsor."--Google Books.