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This essay collection examines the changing cultural, political and physical landscape of Spain as represented in Spanish crime fiction of the last three decades. The first several essays focus on crime fiction set in Barcelona and look at, among other topics, the symbiotic relationship between the city and the detective in Francisco Gonzalez Ledesma's long-running Inspector Mendez series, Manuel Vazquez Montalban's treatments of the 1992 Summer Olympic Games, and place and identity in Alicia Gimenez-Bartlett's Petra Delicado series. Other essays examine regional and cultural illiteracy in Jorge Martinez Reverte's Galvez series and Spain's changing urban centers as represented in Andreu Martin's El blues de la semana mas negra.
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
A history of Spanish detective fiction from Alarcon's "El clavo," published twelve years after Poe's "Murders in the Rue Morgue," up to the present. The presentation of the highly entertaining sleuth characters is based on a detailed examination of the works and, in many cases, personal interviews with the writers.
Iberian Crime Fiction is the first volume in English to provide an extensive overview of crime fiction in Spain and Portugal. While the origins of peninsular crime fiction are traced in Nancy Vosburg's introductory chapter to the volume, the essays focus on specific topics that provide readers with a sense of the development of the genre in the second half of the 20th-century and current trends in the 21st-century. Patty Hart, whose The Spanish Sleuth introduced English-speaking readers to early crime fiction in Spain, provides a summary account of the development of the crime novel from the 1950s through the 1980s, highlighting the major authors and works that set the stage for the boom tha...
Anything and everything may come under the rubric of violence in a society that is by and large addicted to the images of violence that are an inescapable part of contemporary reality. In the wake of recent international events, many have come to accept the perpetration of violence as morally acceptable and a just enterprise towards peace. But what is violence? How do we identify something or somebody as violent? Is violence justifiable? If so, under what circumstances? Violent Depictions addresses these and other questions on the role and nature of violence in a range of different national and historical contexts. Violent Depictions is a reflection on the relationship between violence and representation and includes a number of thematic categories such as youth violence in films, violence against women in literary and cinematic texts, gendered representations of terrorism, the violence of colonial encounters and of the remembering of institutionalised violence.