You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Taking its cue from Jacques Derrida’s concept of le mal d’archive, this study explores the interrelations between the experience of loss, melancholia, archives and their (self-)destructive tendencies, surfacing in different forms of spectrality, in selected poetry of British Romanticism. It argues that the British Romantics were highly influenced by the period’s archival fever – manifesting itself in various historical, material, technological and cultural aspects – and (implicitly) reflected and engaged with these discourses and materialities/medialities in their works. This is scrutinized by focusing on two basal, closely related facets: the subject’s feverish desire to archive...
'Law for the Poor' and 'Lawyers for the People' declared the headlines that announced the opening of the Fitzroy Legal Service in December 1972. In a dingy town-hall basement in one of the poorest suburbs of Melbourne, this new legal service set out to do the unthinkable: to provide free legal advice to all comers. Almost a quarter of a century later, under an equally radical Liberal government, the Fitzroy Legal Service has found itself cast in the unlikely role of a defender of the status quo against reforms that threaten judicial independence and restrict the availability of legal aid. John Chesterman traces the evolution of the Fitzroy Legal Service from a thorn in the side of the legal profession to a valued contributor to legal debate. In this process, he provides an entertaining and perceptive account of the forces that have prompted legal reform in Australia from the early 1970s, particularly in the development of legal aid.
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key fi...
None
Comments on Aborigines and the legal system; comments by E.P. Kennedy separately annotated.
None