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A comprehensive exploration of the Jewish adherents of the Theosophical Society and their impact on modern Jewish culture and the development of modern forms of Kabbalah. The Secret Doctrine of the Jews offers the first comprehensive study of Jewish followers of the Theosophical Society, the highly influential global esoteric movement that was established in New York in 1875. The book presents a detailed examination of the major Jewish followers of the Theosophical Society and the formation of Jewish lodges and associations within its framework. It discusses the endeavors of Jewish theosophist to reconcile their Jewish identity with their theosophical convictions and to create new, theosophi...
This book is written for a general as well as a more specialist readership. On the one hand it introduces basic topics of Buddhist-Christian dialogue, on the other hand it opens up new ground: particularly insofar as the Buddhist and the Christian contributers all write comparatively.
The historiographers of religious studies have written the history of this discipline primarily as a rationalization of ideological, most prominently theological and phenomenological ideas: first through the establishment of comparative, philological and sociological methods and secondly through the demand for intentional neutrality. This interpretation caused important roots in occult-esoteric traditions to be repressed. This process of “purification” (Latour) is not to be equated with the origin of the academic studies. De facto, the elimination of idealistic theories took time and only happened later. One example concerning the early entanglement is Tibetology, where many researchers ...
The contributions to this volume are devoted to Christian Kracht's aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism. Kracht's Frankfurt Poetics Lectures, which were intensively commented on by the media, form the background to this discussion.
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