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Machine Art in the Twentieth Century
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and...
The Art of the Anthropological Diorama
Dioramas are devices on the frontier of different disciplines: art, anthropology, and the natural sciences, to name a few. Their use developed during the nineteenth century, following reforms aimed at reinforcing the educational dimension of museums. While dioramas with human figures are now the subject of healthy criticism and are gradually being dismantled, a thorough study of the work of artists and scientists who made them helps shed light on their genesis. Among other displays, this book examines anthropological dioramas of two North American museums in the early twentieth century: the American Museum of Natural History in New York, and the New York State Museum. Sites of creation and mediation of knowledge, combining painting, sculpture, photography, and material culture, dioramas tell a story that is always political.
Hidden Depths
n Hidden Depths, Professor Penny Spikins explores how our emotional connections have shaped human ancestry. Focusing on three key transitions in human origins, Professor Spikins explains how the emotional capacities of our early ancestors evolved in response to ecological changes, much like similar changes in other social mammals. For each transition, dedicated chapters examine evolutionary pressures, responses in changes in human emotional capacities and the archaeological evidence for human social behaviours. Starting from our earliest origins, in Part One, Professor Spikins explores how after two million years ago, movement of human ancestors into a new ecological niche drove new types of...
Park, Tenement, Slaughterhouse
Welche Wahrnehmungen und Vorstellungen von ihrer Stadt hatte die Oberschicht im späten 19. Jahrhundert? Antonio Carbone zeigt dies exemplarisch am Beispiel von Buenos Aires, wo sich – an einem Wendepunkt der Geschichte des modernen Argentinien und der globalen Stadtgeschichte – nach dramatischen Cholera- und Gelbfieberepidemien eine breite Diskussion um die »Krise des Urbanen« entzündete, die zu einer partiellen Umgestaltung der Stadt führte. In seiner Kultur-, Sozial-, Global- und Umweltgeschichte nimmt er besonders drei urbane Brennpunkte in den Blick: die industriellen Schlachthöfe, die von Migrant_innen bewohnten Mietshäuser und einen Park im Stadtteil Palermo.
I Like America
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Die elegante Welt der Regina Relang
The Elegant World of Regina Relang is just that, an enchanting volume of pictures presenting a whirlwind tour through the entrancing world of haute couture that the late German photographer recorded throughout the mid-twentieth century. 160 of the best original images from Relang's estate follow the lady shutterbug's eye as she worked the Paris fashion shows, from her first days at Vogue in 1938 through to her rise as one of the leading fashion photographers of the 1950s and 1960s. Her spectacular images of the most forward, fashionable styles were featured twice a year in all of the major German fashion journals, for whom she represented the essence of the catwalk-shooting genre. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work. The Elegant World of Regina Relang chronicles the changing fashions of Christian Dior, Pierre Cardin and Yves Saint-Laurent, among other arbiters of la mode, while also tracing the transformation of the image of woman through the mid-twentieth century.
Georges Seurat
Known as "the notary" by his contemporaries for his very proper disposition, Georges Seurat (1859-1891), was nonetheless a trailblazing artist, who devised mesmerizing effects in paint, creating what Museum of Modern Art, New York director Alfred Barr described as a "strange, almost breathless poise." Seurat's most famous painting, "La Grande Jatte" (1884), exemplifies the airy suspension of which "Pointillism" (as his style of painting-by-dabs was named) is uniquely capable, a sensation well suited to evoking in paint the sedate pace of Paris' new leisure class. For Seurat, Pointillism was also a way to attain for painting the mathematically explicable harmony of music: "Art is Harmony. Har...
Anonym
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A. R. Penck retrospektive
The exhibition gives an impression of a period of about forty years of the artist's work.
