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The Rite of Spring at 100
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.
Justification as the Speech of the Spirit
In the past few decades there have been an increasing number of authors and movements that reject the classic Protestant understanding of justification (e.g., the New Perspective on Paul, Auburn Avenue Theology, the Renewal Movement, etc.). While the various proposals differ in many respects, they are generally united in their rejection of justification as a legal declaration made by the Father about the believer based on the work of the Son. In particular, among renewal (Pentecostal/Charismatic) authors, there have been several attempts to redefine justification, insisting that it is an umbrella term incorporating numerous redemptive ideas rather than a declaration of the believer’s right...
Passover, Pentecost and Parousia
Dr. R. Hollis Gause has been Professor of Theological and New Testament Studies at Lee University and the Church of God Theological Seminary in Cleveland, Tennessee, for many years, and his huge contribution to Pentecostal scholarship is held in high regard internationally. His influential life and ministry, as well as his teaching and scholarship, are here celebrated in his 85th year by many of his colleagues and former students. Contributors are: Contributions: K.E. Alexander, L.R. Martin, R.D. Moore, J.M. Beaty, J.A. Adewuya, J.C. Thomas, K.J. Archer, S.-E. Han, T.L. Johns, D.G. Roebuck, J.P. Bowers, C. Bridges Johns, C.R. Cason, M.O. McMahan, D.W. Slocumb, R.E. Waldrup.
Marine Corps Marathon Honor And Pride
This book is a continuation of a collection of runner’s stories and how they connect to the MCM. The MCM is not like other marathons as it has multiple layers with a common purpose to live up to the name, “The People’s Marathon.” It is a feeling that is generated through the actions of the staff, volunteers, and supporting Marines. In 1977, Kitty Consolo recalls after the race she could barely walk, and a Marine carried her to an aid station. Over the 18 years the planning process followed a set pattern, but each year different challenges were faced. The greatest impact on the sport was in the years 2020 and 2021 with COVID-19. The race was charged with the responsibility of the educ...
Subverting Empire
Across their empire, the British spoke ceaselessly of deviants of undesirables, ne'er do wells, petit-tyrants and rogues. With obvious literary appeal, these soon became stock figures. This is the first study to take deviance seriously, bringing together histories that reveal the complexity of a phenomenon that remains only dimly understood.
Ballets Suédois
As this book shows, Ballet Suedois' experiments with and their combination of different genres was typical of the third decade of the 20th century.
Nijinsky's Crime Against Grace
The efforts of the three collaborators resulted in a spectacle that bore little resemblance to ballet. During the premiere at the Theatre des Champs-Elysees on May 29, 1913, Parisians were incited to riot by the strange tension of the dancing and stark contrasts of the music and decor. The premiere of Le Sacre du Printemps became a legend overnight, and the notoriety of this event began immediately to distort the significance of the work, especially Nijinsky's choreography. He declared to the London Daily Mail on July 12, 1913, "I am accused, of a crime against grace."
Inside the Wallabies
This is the real story of the Wallabies from their first games in 1908 to today. It is about the players, the coaches, the politics and the games. It is about the soaring highs of World Cup success and the years when they truly deserved the moniker of Woeful Wallabies. It is about going on Tour, about enmities and friendships, about moments of national elation and player shame. As fast paced as a Mark Ella backline play, as solid as Phil Kearns' front row and as controversial as a Robbie Deans selection, Inside the Wallabies is a fascinating, passionate and insightful history of the world of the Australian Rugby Union.
