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Ken Russell
For more than 40 years, Ken Russell has directed some of the most provocative, controversial, and memorable films in British cinema, including Women in Love, The Music Lovers, Tommy, and Altered States. In this anthology, Kevin Flanagan has compiled essays that simultaneously place Russell's films within various academic contexts-gender studies, Victorian studies, and cultural criticism-on the one hand and expand the foundational history of Russell's career on the other. Ken Russell: Re-Viewing England's Last Mannerist recontextualizes the director's work in light of new approaches to film studies and corrects or amends previous scholarship. This collection tackles Russell's mainstream succe...
ReFocus: The Films of Ken Russell
Ken Russell was among the most provocative, creative, original and important directors in British film and television history but his career and legacy have long suffered under the media cliches of 'Madman' or 'Enfant Terrible' of British cinema - nicknames which have tended to delegitimise his status and pioneering role in post-war film and television culture. This scholarly edited collection refuses these terms and aims to not only reflect and further current critical research into Russell's work but to see Russell as the Renaissance man of British cinema. It brings together the work of new and established scholars as well as the reflections of those who knew and worked with Russell. ReFocus: The Films of Ken Russell offers new perspectives across the breadth of Russell's extensive career in television, film and other mediums, and seeks to better understand not only his reception, but the importance of collaboration to his practice, and the legacy of the man himself.
Ken Russell
In the 1970s, British filmmaker Ken Russell (1927–2011) quickly gained a reputation as the enfant terrible of British cinema. His work, like the man himself, was regarded as flamboyant, excessive, and unrestrained. Inheriting and yet subverting the venerable mantle of British documentary, Russell did not fit comfortably in the context of a national cinema dominated by sober realism. His distinct style combined realism with fictional devices, often in audacious ways, to create the biographical “docudrama.” In Ken Russell: Interviews, the filmmaker discusses his colorful life and career, from his youth fascinated by movies to his early work in television through his feature films and his...
Catalogue
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The Blue and Gold
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Russell
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Catalogue of the University of Michigan
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