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Victorian Pets and Poetry
Some of the most celebrated poets of the Victorian era wrote—at times movingly or humorously—about their pets. They did so in a wider literary context, for poetry about pets was ubiquitous in the period. Animal welfare organizations utilized poems about canine and feline suffering in institutional publications to call attention to various abuses. Elegies and epitaphs over the loss of a beloved cat, songbird, or dog were printed on funeral cards, tombstones, and appeared in mass-produced poetry collections as well as those intended for an intimate circle of friends. Yet poems about pets, as well as attendant issues such as breeding and overpopulation, have not received the kind of critical analysis devoted to fictional works and short stories. With an introduction, afterword, and eight essays offering new perspectives on significant as well as lesser known poems, Victorian Pets and Poetry remedies this omission.
Handbook of Historical Animal Studies
The handbook provides a comprehensive evaluation of approaches, topics and research areas of the rapidly developing field of Historical Animal Studies. The so called ‘animal turn’ specifically inspired new takes on writing history. This upsurge in research has led to immense amounts of new empirical studies as well as approaches to historiography, which this handbook aims to systemize.
Creative Compassion, Literature and Animal Welfare
This book examines animal welfare themes in fiction, and considers how authors of the last two centuries undermine dominative attitudes toward the nonhuman. Appearing alongside the emerging humane movements of the nineteenth century and beyond is a kind of storytelling sympathetic to protectionist efforts well-described as a literature of protest. Compassion-inclined tales like the Dolittle adventures by Hugh Lofting educate readers on a wide range of ethical questions, empathize with the vulnerable, and envision peaceful coexistence with other species. Memorable characters like Black Beauty and Beautiful Joe, Ivan the gorilla and Louis the trumpeter swan, Hazel and Cheeta, Mr. Bultitude and Doctor Rat do not merely amuse. They are voices from the margins who speak with moral urgency to those with ears to hear. This broad survey of ethical themes in animal fiction highlights the unique contributions creative writers make toward animal welfare efforts.
Mourning Animals
We live more intimately with nonhuman animals than ever before in history. The change in the way we cohabitate with animals can be seen in the way we treat them when they die. There is an almost infinite variety of ways to help us cope with the loss of our nonhuman friends—from burial, cremation, and taxidermy; to wearing or displaying the remains (ashes, fur, or other parts) of our deceased animals in jewelry, tattoos, or other artwork; to counselors who specialize in helping people mourn pets; to classes for veterinarians; to tips to help the surviving animals who are grieving their animal friends; to pet psychics and memorial websites. But the reality is that these practices, and related beliefs about animal souls or animal afterlife, generally only extend, with very few exceptions, to certain kinds of animals—pets. Most animals, in most cultures, are not mourned, and the question of an animal afterlife is not contemplated at all. Mourning Animals investigates how we mourn animal deaths, which animals are grievable, and what the implications are for all animals.
Charlotte Brontë and Contagion
This book argues for the significance of contagious disease in critical and biographical assessment of Charlotte Brontë’s work. Waugh argues that contagion, infection, and quarantining strategies are central themes in Jane Eyre (1847), Shirley (1849), and Villette (1853). This book establishes the ways in which Charlotte Brontë was closely engaged with the political and social contexts in which she wrote, extending this to the representation and metaphorical import of illness in Brontë’s novels. Waugh also posits that although miasmatic theories are often assumed to have been entirely in the ascendant in the late 1840s, the relationship between miasma and contagion was a complex one and contagion in fact remained a crucial way for Charlotte Brontë to represent disease itself, as well as to explore the relationships between the individual and social, political, and cultural contexts. Contagion and its metaphors are central to Charlotte Brontë’s construction of subjectivity and of the responsibilities of the individual and the group.
Animals and Their Children in Victorian Culture
Whether a secularized morality, biblical worldview, or unstated set of mores, the Victorian period can and always will be distinguished from those before and after for its pervasive sense of the "proper way" of thinking, speaking, doing, and acting. Animals in literature taught Victorian children how to be behave. If you are a postmodern posthumanist, you might argue, "But the animals in literature did not write their own accounts." Animal characters may be the creations of writers’ imagination, but animals did and do exist in their own right, as did and do humans. The original essays in Animals and Their Children in Victorian explore the representation of animals in children’s literature by resisting an anthropomorphized perception of them. Instead of focusing on the domestication of animals, this book analyzes how animals in literature "civilize" children, teaching them how to get along with fellow creatures—both human and nonhuman.
Potter Stinks
Compelling analysis of the wizardly literary phenomenon through the lens of contemporary gender and identity discourse
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Potter Stinks
Decades after captivating the globe with the Harry Potter series, J. K. Rowling ignited fierce controversy by promoting anti-trans views through social media and her website. The ensuing debate prompted a re-reckoning of the series’s latent conservatism as devoted fans grappled with its lionized author’s online vitriol against a vulnerable group. In the wake of this controversy, Potter Stinks: Gender and Species in J. K. Rowling’s "Harry Potter" Series critically examines the limitations of the liberalism embedded within the series. At the same time, the book highlights what remains worthy of celebration and rekindles important conversations about the intersection of literature, ideology, and social change. Looking primarily at the original seven books, author Keridiana Chez discusses how gender and species discourses operate in wizarding society, intersecting with questions of class, technology, and labor as well as gender and species fluidity and trans identities. Potter Stinks serves as a vital contribution to Harry Potter scholarship, paving the way for a more nuanced understanding of one of the most influential literary franchises of our time.
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