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Swedish cinema became recognized for daring representations of sexuality with such films as One Summer of Happiness (1951), The Silence (1963), I Am Curious (Yellow) (1967) and a wave of sex films in the late 1960s and 1970s. The association between Swedish film and sexuality shows up frequently in popular culture. From Taxi Driver (1976) to Mad Men (2007-2015), dirty Swedish movie references abound. Yet the connection has attracted little critical attention. In this collection of new essays, Swedish and American scholars go beyond popular misconceptions to explore the origins, influences and reception of sexuality in Swedish cinema during the "sexual revolution" on both sides of the Atlantic. A broad range of topics are covered, from analyses of key films, to a behind-the-scenes study of the Swedish Film Institute, which played a significant role in opposing Swedish film censorship.
How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal? Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national conte...
This book takes as its point of departure the strong Swedish economic-historical scholarly tradition that has combined rigorous macroeconomic analysis with a classical institutional approach when investigating Swedish economic development. One important scholar in this tradition is Professor Lena Andersson-Skog, who has in her scholarly work focused on, among other things, the role of infrastructure, regulation, entrepreneurship, and female labour. To honour Andersson-Skog’s path-breaking work, this book consists of chapters written by her colleagues and former students in which they combine this tradition with new research into the themes of the role of infrastructure, institutional framework and regulation, entrepreneurship, and female labour. This is not an ordinary Festschrift, but rather a collection of essays of recent important research into Swedish economic history, with new data and insights.
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