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Giving Account of Faith and Hope in Africa
What is African theology? What are its distinctive traits and characteristics, modes of investigation, and style of expression? Can African theology reach wider and run deeper than simple propositional articulation? What concerns and special circumstances have shaped its outlook? What unique burdens or hurdles imposed by the past must African theology surmount? What challenges and opportunities lie before it? What are African theology's prospects? As a field of Christian engagement, is it condemned to be only an appendage to theology imported from the West and the North? Or does it have a distinctive contribution to make and gifts to share, not just within the continent of Africa, but also with the Christian world at large? These questions exercise the mind and soul of the African church. A worthy capstone to a lifetime of service as a theologian, educator, and ecumenical leader, this volume offers John Samuel Pobee's considered and mature reflections on issues he raised nearly forty years ago when he published Toward an African Theology.
A Desert Named Peace
In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap. A Desert Named Peace examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposi...
Catalogue of the Birds in the British Museum: Passeriformes, or perching birds. Cichlomorphœ: pt. I, containing the families Campophagidœ and Muscicapidœ, by R.B. Sharpe
This enormous undertaking, which, according to one of the prefaces, professes to be a complete list of every bird known at the time of publication, kept growing even as it was being written. The Museum added eagerly to their already vast collections during the decades of publication, acquiring by gift the great collections of A.O. Hume on Asian birds, and those of Sclater and Salvin and Godwin on Neotropical birds, so that the size of the collection nearly tripled between 1874 and 1888. Sharpe originally intended to do all the work himself, but others were called in when this became clearly impossible. The plates are all of birds not previously illustrated. In the decades following its publication this catalogue was universally acclaimed as the most important work on systematic ornithology that has ever been published. (Zimmer, p. 96). And even after one hundred years it remains an essential reference for the serious ornithologist, as it underpins a great deal of modern bird classification. With 387 plates, most hand-coloured lithographs, some chromolithographs, by William Hart, J.G. Keulemans, Joseph and Peter Smit.
