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Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.
Offers pedagogical techniques for teaching Cormac McCarthy's works, including considerations of their depiction of violence and dystopia, distinctive prose style, and relation to film. Contextualizes the works as regional literature of the South and West. Gives syllabus suggestions for high school, undergraduate, and graduate courses in American literature.
Perhaps more timely than ever, Margaret Atwood’s Aesthetics offers novel perspectives on both contemporary and canonical topics in Margaret Atwood’s work with a special focus on the intersections of literature and politics. Arguably one of the most political writers of our times, Atwood’s oeuvre subtly and overtly entangles readers in the dialectics of personal and political power asymmetries intrinsic to her aesthetic practices. The collection takes its cue from the concept of the ‘artpolitical’ as coined by Crispin Sartwell, whose afterword addresses Atwood’s aesthetic and imaginative material world-construction and explores the interrelationship between literatures and aesthet...
This History explores the development of literary culture in Virginia from the founding of Jamestown to the twenty-first century.
Margaret Atwood’s Apocalypses features essays by established and new Atwood scholars on Atwood’s poetry, The Handmaid’s Tale, and the famous MaddAddam trilogy. Readers will encounter ways to trace the theme of apocalypse through decades of Atwood’s work, and lenses through which to view various fictional apocalypses, including disability studies, theology, and ecofeminism.
Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire.
An interdisciplinary journal of the South.
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