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So You've Been Publicly Shamed
Celebrating Fifty Years of Picador Books Jon Ronson's captivating and brilliant exploration of one of our world's most underappreciated forces: shame. ‘It’s about the terror, isn’t it?’ ‘The terror of what?’ I said. ‘The terror of being found out.’ The rise of social media has seen a great renaissance in public shaming. Justice has been democratized. The silent majority are getting a voice. But what are we doing with that voice? We are mercilessly finding people’s faults, and defining the boundaries of normality by ruining the lives of those outside it. We are using shame as a form of social control. Simultaneously powerful and hilarious in the way only Jon Ronson can be, So You’ve Been Publicly Shamed is a deeply honest book about modern life, full of eye-opening truths about the escalating war on human flaws – and the very scary part we all play in it. This edition features a new chapter and interview with perhaps the most famous public shaming victim of all – Monica Lewinsky. Part of the Picador Collection, a series showcasing the best of modern literature.
The Hired Husband
Sienna Rushford desperately needs to claim her inheritance from the father she never even met but his will states she must be happily married! The only man Sienna can turn to is Keir Alexander. She knows he needs a short–term business loan, so she proposes a deal: in return for her financial help, they will marry, temporarily. But Keir, not content with being a "hired husband," has a proposition of his own that for the next year their marriage is real....
Six Dramatists in Search of a Language
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
The Weekly Notes
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