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A Companion to Classical Receptions
Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies. Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics
The Ritual Theatre of Theodoros Terzopoulos
The Ritual Theatre of Theodoros Terzopoulos outlines the story of the Athenian-based Attis Theatre and the way its founder and director, Theodoros Terzopoulos, introduced bio-energetic presences of the body on the stage, in an attempt to redefine and reappraise what it means today not only to have a body, but to fully be a body. Terzopoulos created a very specific attitude towards life and death, and it is this broad perspective on energy and consciousness that makes his work so appealing both to a general public and to students of arts, theatre and drama. Freddy Decreus’ study charts the career of Greece’s most acclaimed theatre director and provides a spiritual and philosophic answer in times where former Western meta-narratives have failed.
Postdramatic Theatre and Form
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre...
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gisèle Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audience...
Receptions of Antiquity
"This volume presents a series of papers which cover the general theme of the reception of antiquity, a topic which has in recent years become a discipline in itself, or what some might call a 'cross-discipline'. Indeed the Nachleben of the (culture of) classical antiquity, and of antiquity as a whole, manifests in a number of diverse domains, opening up the field of reception studies to scholars from disciplines other than Classics. This collection of papers illustrates this diversity, uniting as it does original research by scholars from a variety of disciplines: classicists, historians, theatre historians, architectural historians, psychologists, archaeologists, artists, and more, all of whom have treated some aspect of the so-called 'classical tradition' by means of their own individual approaches, leading to a volume rich and dense in themes and methodologies. 'Receptions of antiquity' has been written by friends of Freddy Decreus, in honour of his career, and in celebration of his thought."--
No Beauty for Me There where Human Life is Rare
This book is the first collection of critical essays to appear about Needcompany, a prominent, Brussels-based international theater company.
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