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This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman.
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John Smith was a resident of Barnstable, Massachusetts in 1640 and a brother-in-law to Governor Thomas Hinckley, having married Susannah Hinckley, the governor's sister. They had thirteen children born between April 1644 and Dec. 1667: Samuel, Sarah, Ebenezer, Mary, Dorcas, John (died within two days of birth), Shubael, John, Benjamin, Ichabod, Elizabeth, Thomas and Joseph.
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