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Criminal Sentencing in Bangladesh
In Criminal Sentencing in Bangladesh, Muhammad Mahbubur Rahman critically examines the sentencing policies of Bangladesh and demonstrates that the country’s sentencing policies are not only yet to be developed in a coherent manner and shaped with an appropriate and contextual balance, but also remain part of the problem rather than part of the solution. The author forcefully argues that the conception of ‘sentencing policies’ cannot and should not always be confined exclusively to institutional understandings. The typical realities of post-colonial societies call for rethinking the traditional judiciary-centred understanding of what is meant by criminal sentences. This book thus raises the question for theoretical sentencing scholarship whether the prevailing judiciary-centred understanding of sentencing should be rethought.
Constructing the Criminal Tribe in Colonial India
Constructing the Criminal Tribe in Colonial India provides a detailed overview of the phenomenon of the “criminal tribe” in India from the early days of colonial rule to the present. Traces and analyzes historical debates in historiography, anthropology and criminology Argues that crime in the colonial context is used as much to control subject populations as to define morally repugnant behavior Explores how crime evolved as the foil of political legitimacy under military Examines the popular movement that has arisen to reverse the discrimination against the millions of people laboring under the stigma of criminal inheritance, producing a radical culture that contests stereotypes to reclaim their humanity
Post-Orientalism and Contemporary American Novels
This book provides a scientific and academic contribution to the scholarly exploration of the complex relationship between the East and the West in American literature. The study focuses on four novels (Mornings in Jenin, Falling Man, The Reluctant Fundamentalist, and Riyah Al-Janna (The Wind of Paradise)) to discuss how the literature reflects on Middle Eastern themes in relation to the situations and conditions of the New East. It treats the Orient as a moving body and takes Edward Said’s Orientalism into account, also showing Post-Orientalism or the New East as a literary phenomenon in the 21st century, specializing in politics, militarism, and post-colonial ideology. The book explains and divides the Middle East into two parts: the Arab-Islamic Middle East and the non-Arab-Islamic Middle East. It highlights the similarities and differences between these two parts as depicted in various novels, presenting the East as a land of desolation and destruction due to the political, regional, and religious changes that have shaken it.
Metafiction and Metahistory in Contemporary Women's Writing
This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, the essays assembled here offer new approaches to reading contemporary women fiction writers' reconfigurations of history.
Speaking Havoc
Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text's act of "speaking havoc" rebounds in unsettling ways. Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh's modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie's postmodernist novel Shame (1983), and the "spectacular" films of Maniratnam: each bears witness to socia...
Victorian Review
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Ariel
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Annales du CRAA (Centre de recherches sur l'Amérique anglophone/MSHA). Nouvelle série
That's the fundamental novelistic gift... : to go around in disguise déclare Philip Roth. Il s'agit ici de vérifier cet adage. Masques, déguisements, travestissements : la littérature nord-américaine serait-elle marquée par une prépondérance du dramaturgique ? L'isotopie ici constatée du thème de la mascarade semble le confirmer.
مصطلجات ٹھگى
Dictionary of the code words used by the Thugs in the 19th century.
