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The Swastika
Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
The Mighty Quinns
Her guide to adventure?in and out of the bedroom New Zealand wilderness guide Malcolm Quinn is stunned to learn that his father's body?lost near the summit of Everest almost twenty years ago?has been found. The discovery stirs up painful memories for Mal, and brings eager reporters out in droves. He is ready to resist them all, until he meets the pretty little Yank who turns his blood to liquid lust?. Amy Engalls needs this story to make her career, but Mal refuses to be interviewed. Instead the gorgeous Quinn offers Amy the kind of adventure she'll never forget. She accepts, realizing she may be jeopardizing her future for a short-term fantasy. By breaking the rules, will she lose everything?including her heart?
Utilitarianism and the Art School in Nineteenth-Century Britain
The mid-nineteenth century saw the introduction of publicly funded art education as an alternative to the established private institutions. Quinn explores the ways in which members of parliament applied Bentham’s utilitarian philosophy to questions of public taste.
Rigorous Holes
None
Bentham and the Arts
Bentham and the Arts considers the sceptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham’s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally.
Pursuing My Ex-Wife Isn't Easy
Six years ago, she was framed by her wicked sister and was abandoned by her then husband while she was pregnant. Six years later, she started anew with a different identity. Oddly, the same man who abandoned her in the past had not stopped pestering her at her front door. “Miss Gibson, what’s your relationship with Mister Lynch?” She smiled and answered nonchalantly, “I don’t know him.” “But sources say that you were once married.” She answered as she tucked her hair, “Those are rumors. I’m not blind, you see.” That day, she was pinned on the wall the moment she stepped in her door. Her three babies cheered, “Daddy said mommy’s eyes are bad! Daddy says he’ll fix it for mommy!” She wailed, “Please let me go, darling!”
Taste: Media and Interior Design
This book traces and explores the evolution of taste from a design perspective: what it is, how it works, and what it does. Karin Tehve examines taste primarily through its recursive relationship to media. This ongoing process changes the relationship between designers and the public, and our understanding of the relationship of individuals to their social contexts. Through an analysis of taste, design is understood to be an active constituent of social life, not as autonomous from it. This book reclaims a term long dismissed from interior design and unveils taste’s role as a powerful social and political agent within systems of aesthetics, affecting both its producers and consumers. Each ...
The Persistence of Taste
This book offers an interdisciplinary analysis of the social practice of taste in the wake of Pierre Bourdieu’s sociology of taste. For the first time, this book unites sociologists and other social scientists with artists and curators, art theorists and art educators, and art, design and cultural historians who engage with the practice of taste as it relates to encounters with art, cultural institutions and the practices of everyday life, in national and transnational contexts. The volume is divided into four sections. The first section on ‘Taste and art’, shows how art practice was drawn into the sphere of ‘good taste’, contrasting this with a post-conceptualist critique that off...
The Swastika
Despite the enormous amount of material on the subject of Nazism, there has been no substantial work on its emblem, the swastika. This original and controversial contribution examines the role that the swastika played in the construction of the Aryan myth in the nineteenth century, and its use in Nazi ideology as a symbol of party, nation and race, treating it as symbolic phenomenon in a cultural context. By identifying the swastika as a boundary or liminal image, Malcolm Quinn allies visual anaysis to issues of material culture and history.
Knowing Nothing, Staying Stupid
Why is stupidity sublime? What is the value of a 'dialectics of ignorance' for analysts and academics? Knowing Nothing, Staying Stupid draws on recent research to provide a thorough and illuminating evaluation of the status of knowledge and truth in psychoanalysis. Adopting a Lacanian framework, Dany Nobus and Malcolm Quinn question the basic assumption that knowledge is universally good and describe how psychoanalysis is in a position to place forms of knowledge in a dialectical relationship with non-knowledge, blindness, ignorance and stupidity. The book draws out the implications of a psychoanalytic theory of knowledge for the practices of knowledge construction, acquisition and transmiss...
