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Are social scientific theories and confessional theologies of sacrifice equally well suited as public discourse about religion? The French liberal Protestant theologians of the 5th Section of the École Pratique and the French doyen of sociology, Émile Durkheim and his two main followers, Henri Hubert and Marcel Mauss, engage in a struggle over the proper approach to sacrifice in the public university. The Durkheimians argued that theological language and assumptions were inappropriate for this purpose because of their confessional allegiances. Another approach to sacrifice, free of confessional entanglements, was required. This is what Hubert and Mauss sought to provide in the Sacrifice: Its Nature and Function.
Émile Durkheim remains one of the most controversial, and one of the most deeply misunderstood, classics of social theory. The Oxford Handbook of Émile Durkheim takes stock of the different recent debates on Durkheimian sociology, and makes them accessible to a wide audience spanning various disciplines; this includes crucial debates that, due to language barriers, are not easily accessible for an English-reading public. In doing so, this volume is an important resource for all scholars and students looking to understand Durkheimian sociology.
This book examines the ways in which scholarly expertise was mobilized during the First World War, and the consequences of this for the inter-connected academic world that had developed in the late nineteenth century. Adopting a strong international approach, the contributors to this volume examine the impact of the War on individuals, institutions, and disciplines, cumulatively demonstrating the strong afterlife of conflict for scholarly practices and academic communities across Europe and North America, in the decades following the cessation of the Great War.
Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians’ engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim’s own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors—scholars from a range of theoretical orientations and disciplinary perspectives—are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.
Social scientists have played many roles in Canadian politics since the Second World War. Stephen Brooks and Alain Gagnon examine the forms and extent of social scientists' involvement in the political process, their relationship to the state, and the complexities of their class position. The unique development of the social sciences in Quebec and their relationship to Quebec nationalism are examined and distinctions between development in this community and in the predominantly anglophone community of the rest of Canada are contrasted.