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The first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant.) In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjold, cerebral Secretary-General of the United Nations. 'A most interesting and at times brilliant book, admirably and wittily written.' New Statesman 'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator
In the late nineteenth and early twentieth centuries, the idea of home came into focus as a place of warmth and comfort, associated with interior spaces and feminine touches. In the same period, writing about the Arctic as a frigid and inhospitable landscape proliferated. American readers were fascinated by stories of Arctic exploration and supposedly heroic feats of survival by rugged white men. Moving between these opposing pictures were a handful of white and northern Indigenous women who travelled between the eastern Arctic and America between 1890 and 1940 in connection with exploratory expeditions. Their journeys and recollections challenged prevailing ideas about home, the North, and ...
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