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Little Horrors
Zombies, werewolves and chainsaw-wielding maniacs are tried-and-true staples of horror films. But none can match the visceral dread evoked by a child with an innocent face and a diabolical stare. Cinema's evil children attack our cherished ideas of innocence and our innocent bystander status as the audience. A good horror film is a scary ride--a "devil child" movie is a guilt trip. This book examines 24 international films--with discussions of another 100--that in effect "indict" viewers for crimes of child abuse and abandonment, greed, social and ecological negligence, and political and war crimes, and for persistent denial of responsibility for them all. For 75 years evil children have ritually rebuked audiences and, in playing on our guilt, established a horror subgenre that might be described as a blood-spattered rampage on an ethical mission.
Cult Cinema
Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic
Selling the Splat Pack
Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? This study reveals the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, this study proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. In doing so, the monograph blends film industry study with an analysis of the films themselves, revealing the films of the Splat Pack as commercial products rather than political manifestos.
Studies in Groovy Gothic Cinema
This book explores low-budget horror and exploitation movies produced in filmmaking capitals of the Western Hemisphere.
Giant Creatures in Our World
Dismissed as camp by critics but revered by fans, the kaiju or "strange creature" film has become an iconic element of both Japanese and American pop culture. From homage to parody to advertising, references to Godzilla--and to a lesser extent Gamera, Rodan, Ultraman and others--abound in entertainment media. Godzilla in particular is so ubiquitous, his name is synonymous with immensity and destruction. In this collection of new essays, contributors examine kaiju representations in a range of contexts and attempt to define this at times ambiguous genre.
Reappraising Cult Horror Films
Identifies key – and in some cases previously overlooked – cult horror films from around the world and reappraises them by approaching and interrogating them in new ways. New productions in the horror genre occupy a prominent space within the cinematic landscape of the 21st century, but the genre's back catalogue of older films refuses to be consigned to the motion picture graveyard just yet. Interest in older horror films remains high, and an ever-increasing number of these films have enjoyed an afterlife as cult movies thanks to regular film festival screenings, television broadcasts and home video releases. Similarly, academic interest in the horror genre has remained high. The framew...
Experiencing Cinema
Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study. Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.
100 Cult Films: The Sequel
In this follow up to their 100 Cult Films, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films from the history and present of cult cinema around the world, from the 1911 Italian silent Dante's Inferno to Jordan Peele's 2017 horror classic Get Out. Their richly-illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Julien Temple, Ana Lily Amirpour, Lizzie Borden, Rob Reiner and John Carpenter, and movies from countries ranging from Iran to Peru, South Korea to Sweden, Japan to the USA. The films represent genres including sci-fi, romance, horror, vampire, comedy and action, and in their subject matter and through the debates (and sometimes controversies) that surrounds them raise issues about identity, home, belonging, exoticism, censorship and what it means to be 'weird'. By presenting 100 films that confirm and interrogate the notion of what makes a film a 'cult film', 100 Cult Films Redux reinvigorates the debate about cult cinema while affirming its foundations in today's volatile and vibrant cultural climate.
Comic Art of the United States Through 2000, Animation and Cartoons
Provides information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons. Provides citations of books, chapters, articles, and "fugitive" materials gleaned from a variety of sources worldwide, including many periodicals and journals.
