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The Vanishing (Spoorloos)
At the 1989 Sydney Film Festival, George Sluizer's little-known independent film, Spoorloos (The Vanishing), was an unexpected hit, winning the festival's audience award and gaining accolades at other international film festivals. The Vanishing has earned a reputation as a psychological thriller that shocked audiences with its unexpected twist ending. This is the first book-length study to examine The Vanishing as a film that complements and broadens generic expectations of psychological horror cinema. It delves into The Vanishing's production history, including Sluizer's adaptation of the film screenplay from the novella The Golden Egg (1984) by Dutch author Tim Krabbé. Beyond exploring Sl...
Burn the Negative
*Long-listed for the Bram Stoker Award* In this incendiary mash-up of horror and suspense, a notorious slasher film is remade…and the curse that haunted it is reawakened. Fresh off the plane in L.A., here to visit the set of a new streaming horror series, journalist Laura Warren sees a man jumping from a bridge, landing right behind her car. It’s started, she thinks. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life. When Laura was eight years old, eight members of the cast and crew died in ways that eerily mirrored the movie’s on-screen deaths, making the film a cult classic—and ruining her life. She changed her name and her accent, dyed her hair, and moved across the Atlantic. But some scripts don’t want to stay buried. Now, as the body count rises again, Laura finds herself on the run with her aspiring actress sister and a jaded psychic, hoping to end the curse once and for all.
Named and Shamed
Author Christopher Tookey and a host of critics, from the celebrated to the obscure, provide feedback on some of the biggest films to have reached our screens, indexed by actor or actress and presented alphabetically.Many of the most famous people of the last 100 years are here, from Woody Allen to Will Ferrell and Andrew Lloyd Webber to Julia Roberts. No celebrity is left unscathed, with short one-liner comments to paragraph reviews, such as:“To my eye, [Daniel] Radcliffe still looks like the teenage offspring of Hitler and a gay owl.”(Robbie Collin, News of the World)Christoper takes inspiration from books including Diana Rigg’s No Turn Unstoned and Matthew Parris’ Scorn. Named & Shamed is guaranteed to make you laugh at least once per page and will appeal greatly to the general reader and in particular to all film fans.
The Birth and Impact of Britpop
Remember the ninteties? Of course you do. Cool Britannia, New Labour, Blur vs Oasis, Geri Halliwell’s Union Flag dress, TFI Friday, “wasssssuuuuuuppppppp”, Opal Fruits turning into Starburst without anyone asking your permission...crazy times. This book doesn’t have anything to say about Geri’s dress or Opal Fruits but it has lots to say about Britpop. But this isn’t a book about the Britpop you think you know about, this is the story of a truly remarkable period of creativity in British guitar music told through the experiences of someone who was there from the first note of “Popscene” through to the run out groove of “This is Hardcore”. This is the story of the Britpop ...
電影中的驚聲尖叫
★內容簡介 《驚魂記》、《月光光心慌慌》、《見鬼》、 《德州電鋸殺人狂》、《陌路狂殺》、 《鬼店》、《黑天鵝》、《喪妖之章》、 《七夜怪談》、《咒怨》、《輪迴》…… 我們喜歡看恐怖電影，享受在黑暗的電影院中腎上腺素飆升的快感。一部恐怖電影成功與否，只有一個衡量標準：它們嚇人嗎？過去，在默片時代，觀眾對《科學怪人》和《吸血鬼德古拉》感到興奮不已，然而隨著化妝與攝影、電腦特效技術的日新月異，當代電影中的怪物已經有完全超乎想像的變化，但恐怖電影迷的目的依然相同：尋找難以言喻...
Faster Than A Cannonball
Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of The Bends, the year Danny Boyle started filming Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference. It was a period of huge cultural upheaval - in art, literature, publishing and drugs, and a period of almost unparalleled hedonism. Faster Than a Cannonball is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year, by artists including Radiohead, Teenage Fanclub, Tricky, Pulp, Blur, the Chemical Brothers, Supergrass, Elastica, Spiritualized, Aphex Twin and, of course, Oasis.
The Shadow Glass
Dark Crystal meets About a Boy in a race against the clock to save the world in this nostalgia-infused adventure! Jack Corman is failing at life. Jobless, jaded and on the "wrong" side of thirty, he's facing the threat of eviction from his London flat while reeling from the sudden death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, a film Jack loved as a child, idolising its fox-like hero Dune. But The Shadow Glass flopped on release, deemed too scary for kids and too weird for adults, and Bob became a laughing stock, losing himself to booze and self-pity. Now, the film repr...
The Book of Horror
The Book of Horror introduces the reader to the scariest movies ever made and examines the factors that make them so frightening.
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