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Ancestors and descendants of various Fishburne families of North Carolina. No common ancestor is identified.
This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.
Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age.
Explores the psychology of literary translingualism in the works of two authors, finding it expressed as loss and fragmentation in one case and as opportunity and mediation in the other.The works of translingual writers-those who write in a language other than their native tongue-present a rich field for study, but literary translingualism remains underresearched and undertheorized. In this work Tamar Steinitz explores the psychological effects of translingualism in the works of two authors: the German Stefan Heym (1913-2001) and the Austrian Jakov Lind (1927-2007). Both were forced into exile by the rise of Nazism; both chose English asa language of artistic expression. Steinitz argues that...
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This book traces the genesis of the Barrington books in rich and evocative detail, offering a compelling account of publishing history in England and on the continent, and displaying the subtle machinations of the book trade in a world without copyright laws. Throughout, The Celebrated George Barrington combines the rigour of book history and bibliographical research with a fresh and engaging style. Of special interest is Garvey's authoritative bibliography of the Barrington books, with extensive notes and detailed collation details, destined to become a standard reference for librarians, scholars and booksellers. With more than eighty separate works noticed, this is the first comprehensive account of the Barrington books and the first to chart the publishing history of the works about and attributed to George Barrington, which have long remained a source of confusion for students of early Australian history. Elegantly printed in two-colours, and bound in red cloth with a full-colour dustjacket, the work includes some twenty-six illustrations, all taken from the early Barrington books.
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