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Discipleship in the Ancient World and Matthew's Gospel, Second Edition
With a comprehensive sweep of the relevant literature--including classical and Hellenistic sources, the Septuagint, and the New Testament--the author defines disciple and related terms as they were used in the ancient world. Pertinent Semitic words from the Hebrew Bible, Rabbinic literature, and Qumran documents provide additional background for the term. A special emphasis is Matthew's use of mathetes and the role of Simon Peter as a model disciple. The study first appeared in 1988 in the prestigious Novum Testamentum Supplements under the title The Concept of Disciple in Matthew's Gospel: As Reflected in the Use of the Term Mathetes. In this second edition, the author includes a new chapter outlining advances in the field since the book was first published.
Arguments from Order in Synoptic Source Criticism
This monograph provides a "comprehensive history of the various arguments focusing on the order of pericopes in the Gospels to ascertain their original sequence of composition." - Editor's Foreward.
Live and Recorded
This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.
Designing Objects in Motion
The movement of designed objects is not just something purely functional but also triggers a wide range of sensations. A curtain swaying gently in the wind can cause the onlooker to feel easy and relaxed, as if it was he or she who is floating in the air. This imagined projection caused by the perception of moving objects is called "kinesthetic empathy". In this study, which followed on from a dissertation at the School of Design Research in London, the author investigates the esthetics of movement by documenting his own design-based learning and research process in terms of "research through design", using the experimental cooperation with puppet players as an example. He thereby creates a framework that allows designers to observe the esthetics of objects in motion as a trigger of feelings.
Belgravia
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