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Kinship in Old Norse Myth and Legend
This wide-ranging study offers a new understanding of Old Norse kinship in which the individual self was expanded to encompass its kin. Family interactions in Old Norse myth and legend were often fraught, competitive, even violent as well as loving, protective and supportive. Focusing particularly on intergenerational relationships in the legendary sagas, the Poetic Edda and Snorra Edda, this book reveals not only why ambivalence was so characteristic of mythic-heroic kinship relations but how they were able to endure, even thrive, in spite of such pressures. Close attention is paid to the way gender inflects the dynamic between parents and their children and to the patronymic naming system ...
The Supernatural Revamped
This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.
Lunar Gothic
This book explores the captivating intersection of lunar influence and the Gothic imagination, revealing how the moon has shaped narratives of horror, mystery, and transformation across cultures and media. Edited by Elana Gomel and Simon Bacon, this volume delves into the genre of Lunar Gothic, tracing its roots from ancient folklore to contemporary science fiction and horror. Readers will encounter a diverse array of essays that examine the moon's role as both a setting and a character in Gothic narratives. From the haunting presence of lunar deities and werewolves to the eerie landscapes of the moon in science fiction, this collection uncovers the moon's dual nature as a symbol of both enl...
Narrating Law and Laws of Narration in Medieval Scandinavia
Disputes lie at the heart of the sagas. Consequently, literary texts have been treated as sources of legal practice – narrations of law – while the sagas themselves and the handling of legal matters by the figures adhere to ‘laws of narration’. The volume addresses this intricate relationship between literature and social practice from the perspective of historians as well as philologists. The contributions focus not only on disputes and their solution in saga literature, but also on the representation of law and its history in sagas and Latin historiography from Scandinavia as well as the representation of laws and norms in mythological texts. They demonstrate that narrations of law...
Dealing With The Dead
Death was a constant, visible presence in medieval and renaissance Europe. Yet, the acknowledgement of death did not necessarily amount to an acceptance of its finality. Whether they were commoners, clergy, aristocrats, or kings, the dead continued to function literally as integrated members of their communities long after they were laid to rest in their graves. From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members. Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch
Narration and Hero
By the early middle ages vernacular aristocratic traditions of heroic narration were firmly established in Western and Northern Europe. Although there are regional, linguistic and formal differences, one can observe a number of similarities. Oral literature disseminates a range of themes that are shared by narratives in most parts of the continent. In all the European regions, this tradition of heroic narration came into contact with Christianity, which led to modifications. Similar processes of adaptation and transformation can be traced everywhere in this field of early European vernacular narrative. But with the increasing specialization of academic fields over the last half century, inter-disciplinary dialogue has become increasingly difficult. The volume is a contribution to renew the inter-disciplinary dialogue about common themes, topics and motifs in Nordic, Roman, Anglo-Saxon and Germanic literature, and about the different methodologies to explore them.
The Vampire
Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad...
Bad Boys and Wicked Women
This volume assembles 13 essays as the result of a workshop for international doctoral and post-doctoral researchers in Old Norse studies, which was held at the Institute for Nordic Philology at LMU in Munich in December 2015. The contributions’ focus lies on different aspects of ›bad‹ or ›evil‹ characters in saga literature, and they give testimony to the broad literary variety such figures display in Old Norse texts. The “Antagonists and Troublemakers in Old Norse Literature” are here explored in their diversity, ranging from their literary psychology to their characteristics which often challenge gender norms. The contributions discuss the narrative strategies of presenting these characters to the audience, both positively and negatively. Furthermore, they analyse how the central paradox of evil and its dependence on context is realised in various ways in Old Norse literature.
Monatshefte
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A Journey of Discovery
Wilhelm Otto Lenz was born 29 July 1901 in the Northwest Territories. His parents were Friedrich Wilhelm Lenz (1872-1948) and Amalie Altwasser. He married Ida Julianne Wilke, daughter of Albert G.T. Wilke and Emma Patzwald, in 1926 in Yellow Grass, Saskatchewan. They had eight children. Ancestors, descendants and relatives lived mainly in Canada, the United States, Germany, Poland and Russia.
