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A Centennial Album
The Met’s collection of drawings, prints, and photographs is an expansive work in progress and is considered one of the nation’s greatest repositories of humanity’s creativity. This Bulletin celebrates the centennial of the founding of the Department of Prints. William M. Ivins, the visionary founding curator of the department, had an expansive view of what constituted a “work on paper”—a philosophy that informed much of The Met’s collecting over the next century. The result today is a comprehensive repository reflecting an astonishing diversity of artists, genres, and media. Arranged as a provocative series of pairings—one drawing or print with one photograph—this Bulletin invites the reader to find connections and divergences between works of art that are rarely seen together, ranging in date from the fifteenth century to present day.
The Bulletin of the Metropolitan Museum of Art
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately)
Scientific and Statistical Database Management
This book constitutes the refereed proceedings of the 23rd International Conference on Scientific and Statistical Database Management, SSDBM 2011, held in Portland, OR, USA, in July 2011. The 26 long and 12 short papers presented together with 15 posters were carefully reviewed and selected from 80 submissions. The topics covered are ranked search; temporal data and queries; workflow and provenance; querying graphs; clustering and data mining; architectures and privacy; and applications and models.
Encyclopaedia of Igbo Artefacts
The Encyclopaedia of Igbo Artefacts is a landmark reference work—an unprecedented journey through the sacred, symbolic, and sculptural worlds of one of Africa’s most artistically prolific civilisations. From the metallurgical brilliance of Igbo-Ukwu Discoveries to the ritual philosophies of The Nri Civilisation, this encyclopaedia restores voice and context to objects long displaced, mislabelled, or misunderstood. Spanning ancient bronzes, carved regalia, edible artefacts, sacred documents, and spiritual technologies, this volume redefines what an artefact is, and what it demands of us. Chapters such as The Ikenga, Ùlì Artefact, and Nsibidi: The Verbal Artefact reveal a visual grammar ...
Art Unpacked
For beginners, art history might seem a daunting subject with complex rules and impenetrable technical language. Even for more seasoned art lovers the question of how to think about art is a perennial riddle. Art Unpacked is the perfect resource for both audiences: an engaging, visual primer for the general reader, as well as educators. Designed like an instruction manual, fifty key artworks from around the world are deconstructed with pithy explanations, diagrams and close-ups, in order to reveal the elements that make up a masterpiece. Dating from the earliest times to the present, the artworks under analysis are drawn from many cultures, and cover all forms of visual media including: draw...
How Art is Made
How Art Is Made looks at renowned works of art from across the centuries and around the globe and asks the intriguingly simple question – how were these works actually made? Divided into two sections – materials and methods – each chapter showcases a single work of art which demonstrates the mastery and innovative use of a single material or method, from oil paint, pastel and pencil, to woodcut, litho and impasto. Each work is presented as the centerpiece of a capsule history, while comparative works are also included to help amplify our understanding. How, for example, did Michelangelo paint the Sistine Chapel fresco, or Turner become such a master of watercolor? How did Warhol turn so effectively to screen printing, and how does Yayoi Kusama create such beguiling 'infinity rooms'? The book enhances the experience of looking at great works of art and guides us to a deeper understanding of how they were created and why we regard them as so important.
The Harlem Renaissance and Transatlantic Modernism
Beginning in the 1920s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume reexamines the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher, as well as the writings of W. E. B. Du Bois, Langston Hughes, and Zora Neale Hurston. Featuring artists such as Aaron Douglas, Charles Henry Alston, Augusta Savage, and William H. Johnson, who synthesized the expressive...
