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This collection of interviews features American, British and Australian writers, directors and actors recounting their notable work in the action genre and the fun of blowing things up. Action movies and television series from 1950s to the mid-1980s are covered, with the main focus on the 1960s and 1970s--the era of Bullitt, Mannix and The Professionals. Twenty-five interviewees discuss their career highlights, including writers Richard Harris (The Saint) and Leigh Chapman (The Octagon), directors Stewart Raffill (High Risk), Michael Preese (T.J. Hooker) and Robert M. Lewis (Kung-Fu), and actors Tony Russel (Peter Gunn) and Peter Mark Richman (Combat!).
"Quinn Martin was the most innovative and most creative of his kind. He was a man in touch with the future, far more than the times. His characters were not stereotypical characters. His production methods were not stereotypical either. He was unique in a number of ways. That's why his shows did so well"--Lynda Day George, guest star on QM's The Fugitive, The FBI, and other shows. Producer of such television shows as The Invaders, Barnaby Jones, The Untouchables, The Streets of San Francisco, Cannon and 12 O'Clock High, Quinn Martin was widely admired for his devotion to his shows, his hands-on approach to the writing, casting and editing of each episode, his interactions with network executives, and the high standards he set for his crew and actors. This detailed study of Martin and his company examines each of his series in detail, from development through cancellation.
In the mid-20th century, Mickey Spillane was the sensation of not just mystery fiction but publishing itself. The level of sex and violence in his Mike Hammer thrillers (starting with I, the Jury in 1947) broke down long-held taboos and engendered a near hysterical critical backlash. Nonetheless, Spillane's influence has been felt--reflections of Hammer are visible in nearly every subsequent tough guy of fiction and film, including James Bond, Dirty Harry, Shaft, Billy Jack, and Jack Bauer. Spillane's fiction came to the screen in a series of films that include Kiss Me Deadly (1955) and The Girl Hunters (1963) with the author himself playing his private eye. These films, and television series starring Darren McGavin and Stacy Keach respectively, are examined in a lively, knowledgeable fashion by Spillane experts. Included are cast and crew listings, brief biographical entries on key persons, and a lengthy interview with Spillane.
As the cable TV industry exploded in the 1980s, offering viewers dozens of channels, an unprecedented number of series were produced. For every successful sitcom--The Golden Girls, Family Ties, Newhart--there were flops such as Take Five with George Segal, Annie McGuire with Mary Tyler Moore, One Big Family with Danny Thomas and Life with Lucy starring Lucille Ball, proving that a big name does not a hit show make. Other short-lived series were springboards for future stars, like Day by Day (Julia Louis-Dreyfus), The Duck Factory (Jim Carrey), Raising Miranda (Bryan Cranston) and Square Pegs (Sarah Jessica Parker). This book unearths many single-season sitcoms of the '80s, providing behind-the-scenes stories from cast members, guest stars, writers, producers and directors.
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For more than a decade, Gianakos' comprehensive chronicles of American television dramatic programming have been considered classic references. Following a descriptive and critical review for each period, an exhaustive Days and Times section includes detailed listings for all dramatic specials. Program sections for all seasons provide writer and director credits. This is the long-anticipated sixth volume.
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William Booton (ca. 1712-1787) was born in Virginia, perhaps the son of Joshua Boughton of Essex County, Virginia. He married Judith Hill (1719-after 1787), daughter of William and Frances Needles Hill. They had five children, ca. 1740-ca. 1762. Descendants lived in Virginia, Kentucky, West Virginia, Illinois, Iowa, Ohio, and elsehwere. The surname is spelled Booton and Booten.
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Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective.From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.