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This two-volume set is part of a growing body of literature concerned with the history of biblical interpretation. The ample introduction first situates key players in the story of the development of the major strands of biblical interpretation since the Enlightenment, identifying how different theoretical and methodological approaches are related to each other and describing the academic environment in which they emerged and developed. Volume 1 contains fourteen essays on twenty-two interpreters who were principally active before 1980, and volume 2 has nineteen essays on twenty-seven of those who were active primarily after this date. Each chapter provides a brief biography of one or more s...
Should Christians be embarrassed by the book of Revelation? The Revelation of John has long confused and disturbed readers. The Apocalypse of John among Its Critics confronts the book's difficulties. Leading experts in Revelation wrestle honestly with a question raised by critics: Should John's Apocalypse be in the canon? (Alan S. Bandy) Was John intentionally confusing? (Ian Paul) Was John a bully? (Alexander E. Stewart) Did John delight in violence? (Dana M. Harris) Was John a chauvinist? (Külli Tõniste) Was John intolerant to others? (Michael Naylor) Was John antisemitic? (Rob Dalrymple) Did John make things up about the future? (Dave Mathewson) Did John advocate political subversion? (Mark Wilson) Did John misuse the Old Testament? (G.K. Beale) Engaging deeply with Revelation's difficulties helps the reader understand the book's message—and respond rightly. The book of Revelation does not need to be avoided or suppressed. It contains words of life.
58th-77th reports, 1893-1912, contain Catalogues of publications in the New York point system, including musical works.
In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region's support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller's agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far mo...
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