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Communism After Deleuze
  • Language: en
  • Pages: 125

Communism After Deleuze

Introduces Gilles Deleuze's concept of communism and how it lays out the extent of his critique of global capitalism.

History and Theory
  • Language: en
  • Pages: 820

History and Theory

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Street Level
  • Language: en
  • Pages: 772

Street Level

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

Dissertation (Ph.D.)--University of Michigan.

Beckett and the Cognitive Method
  • Language: en
  • Pages: 265

Beckett and the Cognitive Method

Beckett and the Cognitive Method argues that Samuel Beckett's narrative work inaugurates an exploratory use of narrative as a cognitive modeling technology. Through a detailed analysis of Beckett's entire corpus and published volumes of letters, this book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) 'models' for the exploration of core laws, processes, and dynamics in the human mind.

Essays in Jewish Historiography
  • Language: en
  • Pages: 208

Essays in Jewish Historiography

  • Type: Book
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  • Published: 1988
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  • Publisher: Unknown

None

Problems in Twentieth Century French Philosophy
  • Language: en
  • Pages: 314

Problems in Twentieth Century French Philosophy

  • Type: Book
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  • Published: 2020-06-05
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  • Publisher: Routledge

Read through the lens of a single key concept in twentieth-century French philosophy, that of the "problem", this book relates the concept to specific thinkers and situates it in relation both to the wider history of philosophy and contemporary concerns. How exactly should the notion of problems be understood? What must a problem be in order to play an inaugurating role in thought? Does the word "problem" have a univocal sense? What is at stake – theoretically, ethically, politically, and institutionally – when philosophers use the word? This book addresses these and other questions, and is devoted to making historical and philosophical sense of the various uses and conceptualisations of...

The Columbia History of Twentieth-century French Thought
  • Language: en
  • Pages: 820

The Columbia History of Twentieth-century French Thought

This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.

Understanding Hegelianism
  • Language: en
  • Pages: 241

Understanding Hegelianism

  • Type: Book
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  • Published: 2014-12-05
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  • Publisher: Routledge

"Understanding Hegelianism" explores the ways in which Hegelian and anti-Hegelian currents of thought have shaped some of the most significant movements in twentieth-century European philosophy, particularly the traditions of critical theory, existentialism, Marxism and poststructuralism. The first part of the book examines Kierkegaard's existentialism and Marx's materialism, which present two defining poles of subsequent Hegelian and anti-Hegelian movements. The second part looks at the contrasting critiques of Hegel by Lukacs and Heidegger, which set the stage for the appropriation of Hegelian themes in German critical theory and the anti-Hegelian turn in French poststructuralism. The role of Hegelian themes in the work of Adorno, Habermas and Honneth are explored. In the third part, the rich tradition of Hegelianism in modern French philosophy is considered - the work of Wahl, Kojeve, Hyppolite, Lefebvre, Sartre, de Beauvoir as well as the radical critique of Hegelianism articulated by Derrida and Deleuze. Although the focus is primarily on German and French appropriations of Hegelian thought, the author also explores some of the recent developments in Anglophone Hegelianism.

Jean-Luc Godard’s Political Filmmaking
  • Language: en
  • Pages: 331

Jean-Luc Godard’s Political Filmmaking

  • Type: Book
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  • Published: 2019-04-26
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  • Publisher: Springer

This book offers an examination of the political dimensions of a number of Jean-Luc Godard’s films from the 1960s to the present. The author seeks to dispel the myth that Godard’s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard’s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard’s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director’s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard’s work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard’s ongoing inquiry on the role filmmakers can have in progressive political engagement.

Deleuze and Literature
  • Language: en
  • Pages: 304

Deleuze and Literature

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

Although he is best known as a philosopher, Deleuze's interests were extremely far reaching - in addition to his important critiques of major philosophers like Kant, Hume and Spinoza, he also wrote extensively on literature, cinema and art. Characteristically, he didn't apply philosophy to the arts, he always tried to extract philosophy from them. Deleuze wrote widely on literature, but always with an eye to extract something new and interesting, never merely to interpret. Indeed, his most notorious slogan was 'don't ask what it means? Ask how it works?' He wrote monographs on Proust, Kafka and Sacher-Masoch. He also wrote essays on Beckett, Melville, Jarry, T.E. Lawrence, D.H. Lawrence, and Whitman. The essays collected in this volume are the first devoted solely to Deleuze's work on literature. Written by leading Deleuzian scholars the essays focus on two main questions: how does Deleuze read literary texts? And how can we read texts in a Deleuzian way? Contributors: Bruce Baugh, Ian Buchanan, Claire Colebrook, Andre Pierre Colombat, Tom Conley, Hugh Crawford, Marlene Goldman, Eugene W. Holland, Greg Lambert, John Marks, Timothy S. Murphy and Kenneth Surin