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An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders. Disability and media has emerged as a dynamic and exciting area of contemporary culture and social life. Media–– especially digital technology––play a vital role in disability transformations, with widespread implications for global societies and how we understand communications. This book addresses this development, from representation and audience through technologies, innovations and challenges of the field. Through the varied and global perspectives of ...
In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.
MICHAEL IS A LAWYER WHO GETS BITTEN BY A CLIENT, HE BECOMES A VAMPIRE AND DECIDES TO DO GOOD BY SAVING PEOPLE. LATER HE BECOMES GODS VESSEL MICHAEL AND HIS CREW TAKES ON LUCIFER AND HIS DEMONS TO SAVE HEAVEN AND EARTH FROM LUCIFER AND HIS DEMONS.
The intention of The Orgasm of Chemistry is to stimulate and provoke all United States Citizens and Citizens of the World TO THINK!!! "WE MUST BE CLEVER AS SNAKES BUT INNOCENT AS DOVES (MATTHEW 10, 17)". We must go back to OUR ROOTS. We must search for the TRUTH and we must pursue real HAPPINESS. I have been blessed, I cannot count all my blessings that I had in this life. Therefore, this book is my humble contribution to my MOTHERLAND, The Greatest, and The Best: THE UNITED STATES OF AMERICA . . . IN GOD, WE TRUST!!!!!!!!!!!! GOD BLESS AMERICA Evil exists and has tremendous power. Can we overcome it??? We should never give up. Determination is the key to overcoming evil. In improving the World, start with yourself, your family, your direct environment: WE SHALL OVERCOME, ONE DAY!!!
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible...
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
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