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Violence, Imagination, and Resistance
Much of the discussion of social transformation and resistance in socio-legal studies centres around the question of whether and how the law can be used to achieve practical change. However, the editors of this volume argue that it will never be possible to enact change through the law because it is inseparable from violence, be it metaphysical, social, or political. They posit that a “just world,” free from oppressive power relations, requires us to imagine communities where the state and its law cease to exist. Contributors address the underexplored questions of what alternatives to law could look like: how communities could organize their everyday lives, and how they could address social and interpersonal conflicts outside of an apparatus of violence. These essays contribute to the ongoing interrogation of settler colonialism, racism, and structural violence in Canada by demonstrating how to expose the violence the law produces, how to deconstruct law’s power, and, finally, how to identify modes of resistance that have transformative potential.
Oral History, Education, and Justice
This book addresses oral history as a form of education for redress and reconciliation. It provides scholarship that troubles both the possibilities and limitations of oral history in relation to the pedagogical and curricular redress of historical harms. Contributing authors compel the reader to question what oral history calls them to do, as citizens, activists, teachers, or historians, in moving towards just relations. Highlighting the link between justice and public education through oral history, chapters explore how oral histories question pedagogical and curricular harms, and how they shed light on what is excluded or made invisible in public education. The authors speak to oral histo...
Slanting I, Imagining We
The 1980s and 1990s are a historically crucial period in the development of Asian Canadian literature. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s contextualizes and reanimates the urgency of that period, illustrates its historical specificities, and shows how the concerns of that moment—from cultural appropriation to race essentialism to shifting models of the state—continue to resonate for contemporary discussions of race and literature in Canada. Larissa Lai takes up the term “Asian Canadian” as a term of emergence, in the sense that it is constantly produced differently, and always in relation to other terms—often “whiteness” but also...
Shifting the Ground of Canadian Literary Studies
Shifting the Ground of Canadian Literary Studies is a collection of interdisciplinary essays that examine the various contexts—political, social, and cultural—that have shaped the study of Canadian literature and the role it plays in our understanding of the Canadian nation-state. The essays are tied together as instances of critical practices that reveal the relations and exchanges that take place between the categories of the literary and the nation, as well as between the disciplinary sites of critical discourses and the porous boundaries of their methods. They are concerned with the material effects of the imperial and colonial logics that have fashioned Canada, as well as with the p...
Locating Memory
Paying close attention to the setting in which photographs are made and used, the contributors consider how meanings in photographs, from historical inquiry to quests for identity, may be shifted, challenged and renewed over time and for different purposes.
Feminist Constitutionalism
Explores the relationship between constitutional law and feminism, offering a spectrum of approaches and analysis set across a wide range of topics.
Moving Together
Moving Together: Dance and Pluralism in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada. Focusing on the twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism. Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada.
West Coast Line
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Riding Desire
Riding Desire, like Intricate Passions gathers stories by a broad spectrum of lesbian writing today. It is vanilla, yes, and also chocolate, strawberry, lemon, pistachio, mocha java, cherry, rocky road, coffee, lime-mint, carob, and tofu-crème. In funny, warm, sad, and joyous ways, the stories explore how sexuality works in our lives, in our everyday bodies with all their attendant memories. These are honest stories of caring, sharing, loving, and dreaming by women, aged twenty-eight to sixty-eight, whose lives are rich with experience and whose imaginations - well, come inside and see for yourself.
Fireweed
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