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Marie Madeleine Jodin 1741–1790
The life story of Marie-Madeleine Jodin opens an exciting new perspective on the world of 18th-century women, European court theatres, and, most strikingly, entails the remarkable discovery of a previously unknown French feminist. In 1790, Jodin, a protégée of Denis Diderot and a former actress, published a treatise entitled Vues législatives pour les femmes (Legislative Views for Women), which can lay claim to being the first signed, female-authored feminist manifesto of the French Revolutionary period, and which reveals Jodin's wide reading in women's history and feminist writing since ancient times. This new critical and contextual biography traces the turbulent life of an extraordinar...
The Role of Agency and Memory in Historical Understanding
This book, the first in a series entitled Historical and Pedagogical Issues: Insights from the Great Lakes History Conference, addresses historical and pedagogical issues. It explores the agency of historical actors tied to larger movements, demonstrating the efficacy and power of individuals to act with historical impact. It also describes the nuanced role of memory, often neglected in larger national or global social movements. This volume explores these powerful themes through a broad range of topics, including the research and pedagogy of revolution, reform, and rebellion as they are applied to race, ethnicity, political movements, labour, reconciliation, memory, and moral responsibility. The book will interest researchers that have an interest in both, or either, history and pedagogy.
H.O. Pub
None
Letters and Cultural Transformations in the United States, 1760-1860
This volume illustrates the significance of epistolarity as a literary phenomenon intricately interwoven with eighteenth- and nineteenth-century cultural developments. Rejecting the common categorization of letters as primarily private documents, this collection of essays demonstrates the genre's persistent public engagements with changing cultural dynamics of the revolutionary, early republican, and antebellum eras. Sections of the collection treat letters' implication in transatlanticism, authorship, and reform movements as well as the politics and practices of editing letters. The wide range of authors considered include Mercy Otis Warren, Charles Brockden Brown, members of the Emerson and Peabody families, Margaret Fuller, Elizabeth Stoddard, Catherine Brown, John Brown, and Harriet Jacobs. The volume is particularly relevant for researchers in U.S. literature and history, as well as women's writing and periodical studies. This dynamic collection offers scholars an exemplary template of new approaches for exploring an understudied yet critically important literary genre.
Kohika
Studies the archaeology of a pre-European, Maori village, c1700 AD, which has been unusually well preserved because of its wetland location.
Marie Cardinal
What impact did Cardinal's texts have on the 1970s feminist movement? What is her position in relation to French women's writing and the French literary tradition today? This volume brings together a series of papers given at the first international conference on the influential feminist author Marie Cardinal. Leading critics of Cardinal's oeuvre engage in analysis alongside new commentators in the field. The collection provides an extensive yet cohesive overview of Cardinal's writing, including original commentaries on earlier works like Cet ete-la, popular classics like Les Mots pour le dire, and more recent texts including Amour... amours... Contributors provide new perspectives on Cardinal's oeuvre, drawing from a range of areas of scholarly interest including film studies, life-writing, postcolonial discourse, critical theory, gender studies, and reception theory.
A Belle Epoque?
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
