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The history of the Lone Star state is a narrative dominated by larger-than-life personalities and often-contentious legends, presenting interesting challenges for historians. Perhaps for this reason, Texas has produced a cadre of revered historians who have had a significant impact on the preservation (some would argue creation) of our state’s past. An anthology of biographical essays, Writing the Story of Texas pays tribute to the scholars who shaped our understanding of Texas’s past and, ultimately, the Texan identity. Edited by esteemed historians Patrick Cox and Kenneth Hendrickson, this collection includes insightful, cross-generational examinations of pivotal individuals who interp...
Though often consigned to the footnotes of history, African American women are a significant part of the rich, multiethnic heritage of Texas and the United States. Until now, though, their story has frequently been fragmented and underappreciated. Black Women in Texas History draws together a multi-author narrative of the experiences and impact of black American women from the time of slavery until the recent past. Each chapter, written by an expert on the era, provides a readable survey and overview of the lives and roles of black Texas women during that period. Each provides careful documentation, which, along with the thorough bibliography compiled by the volume editors, will provide a st...
Along with bar rooms and bordellos, there has hardly been a more male-focused institution in Texas history than the Texas Legislature. Yet the eighty-six women who have served there have made a mark on the institution through the legislation they have passed, much of which addresses their concerns as citizens who have been inadequately represented by male lawmakers. This first complete record of the women of the Texas Legislature places such well-known figures as Kay Bailey Hutchison, Sissy Farenthold, Barbara Jordan, Irma Rangel, Eddie Bernice Johnson, Susan Combs, and Judith Zaffirini in the context of their times and among the women and men with whom they served. Drawing on years of prima...
The Austin chapter of the American Association of University Women, in celebration of International Women'syear and the American Revolution Bicentennial, has complied biographies of fifty.
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Gordon Conway became an illustrator for Vanity Fair at the age of twenty and an accomplished fashion artist. She went on to an illustrious career in design that encompassed publicity campaigns for Broadway musicals, costume and set designs for cabaret in Paris, and the management of the first autonomous costume department at a major British film studio. Throughout her career, Conway lived the life she portrayed in her art, combining a cafe and cabaret social life with hard work and a reputation for never missing deadlines. This record of Conway's career, drawn from extensive archival materials never before published, underscores the role that women played in creating the image of the flapper or New Woman of the 1920s, as well as the limits of their influence. This book will be important reading for everyone interested in fashion, design, film and stage history, and Jazz Age society.
Prairies and Plains is an analysis of the reference sources--encyclopedias, bibliographies, biographies, almanacs, dictionaries--that readers and researchers will need to prepare class papers, resolve queries, and develop strategies for investigating questions regarding the history and culture of the Prairies and Plains region.
Twenty-five years after establishment of the first women's studies program, Marilyn Boxer says the time has come to assess "where we have been, and where we are going". Boxer traces the progress of women's studies, its impact on the world of higher education, and concludes that the rise of women's studies has challenged the university in the same way that feminism has challenged society at large.