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The definitive work on the production of Windsor furniture, from one of America's premier authorities.
A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects. Over the past several years, the collections have undergone careful examination and interpretation. One hundred are published along with four interpretive chapters. Relatively few historic sites have received this level of investigative treatment. Additionally, several of the hitherto-unpublished objects relate to others already in the decorative and fine arts lexicon. Using rich archival and genealogical sources, Philip D. Zimmerman brings to light here for th...
Winterthur Museum is world renowned for its decorative arts collections and its exceptional educational programs. Adapted from the training materials developed at the museum, the revised and enhanced Early American Decorative Arts, 1620-1860: A Handbook for Interpreters is an indispensable guide for anyone involved with interpretation of decorative arts collections. Early American Decorative Arts, 1620-1860 elucidates the principles of public interpretation, explains how to analyze objects, and defines the concept of style. Eighteen chapters provide comprehensive descriptions of decorative arts including furniture, ceramics, textiles, paintings and prints, metalwork, glass, and other objects...
Introduced from England in the early 1700s, the Windsor style took hold in America first as seating for the well-to-do and later as favorite of the general population. This beautifully illustrated book--by the acclaimed creator of THE BOOK OF SHAKER FURNITURE (1980)--serves as both an introduction to Windsor furniture and a guide for creating reproductions. 211 illustrations.
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. ...
It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.
An annual publication forging a link between social history, American studies, and the decorative arts.
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