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Killing Time
The Great War of 1914-1918 now stands at the furthest edge of living memory. And yet, hardly a month passes without some dramatic and sometimes tragic discovery being made along the old killing fields of the Western Front. Graves of British soldiers buried during battle – still lying in rows seemingly arm in arm or found crouching at the entrance to a dugout; whole 'underground cities' of trenches, dugouts and shelters have been preserved in the mud; field hospitals carved out of the chalk country of the Somme marked with graffiti; unexploded bombs and gas canisters – all of these are the poignant and sometimes deadly legacies of a war we can never forget. Killing Time digs beneath the surface of war to uncover the living reality left behind. Nicholas J. Saunders brings together a wealth of discoveries to offer fresh insights into the human and often barbaric aspect of warfare. He uses discoveries in the trenches, family photographs, diaries and souvenirs to give the dead a voice. You cannot fail to be fascinated and moved by what he unearths.
Trench Art
A look at the items crafted by soldiers, prisoners, and civilians from war waste and other items during World War I and the years leading to World War II. Engraved shell-cases, bullet-crucifixes, letter openers and cigarette lighters made of shrapnel and cartridges, miniature airplanes and tanks, talismanic jewelry, embroidery, objects carved from stone, bone and wood—all of these things are trench art, the misleading name given to the dazzling array of objects made from the waste of war, in particular the Great War of 1914-1918 and the inter-war years. And they are now the subject of Nicholas Saunders’s pioneering study. Saunders reveals the lost world of trench art, for every piece rel...
The Global First World War
This volume deals with the multiple impacts of the First World War on societies from South Europe, Latin America, Asia and Africa, usually largely overlooked by the historiography on the conflict. Due to the lesser intensity of their military involvement in the war (neutrals or latecomers), these countries or regions were considered "peripheral" as a topic of research. However, in the last two decades, the advances of global history recovered their importance as active wartime actors and that of their experiences. This book will reconstruct some experiences and representations of the war that these societies built during and after the conflict from the prism of mediators between the war fought in the battlefields and their homes, as well as the local appropriations and resignifications of their experiences and testimonies.
Conflict, Heritage and World-Making in the Chaco
Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of the Chaco War (1932–35) – known as South America’s first ‘modern’ armed conflict – in what is now present-day Paraguay. It focuses not only on archaeological remains as conventionally understood, but takes an ontological approach to heterogeneous assemblages of objects, texts, practices and landscapes shaped by industrial war and people’s past and present engagements with them. These assemblages could be understood to constitute a ‘dark heritage’, the debris of a failed modernity. Yet it is clear that they are not simply dead memorials to this bloody war, but have been, and continue to be active in making, unmaking and remaking worlds – both for the participants and spectators of the war itself, as well as those who continue to occupy and live amongst the vast accretions of war matériel which persist in the present.
Matters of Conflict
Matters of Conflict looks at the definitive invention of the twentieth century - industrialised war - and its vast and varied material legacy. From trench art and postcards through avant-garde art, museum collections and prosthetic limbs to battlefield landscapes, the book examines the First World War and its significance through the things it left behind. The contributions come from a multidisciplinary perspective, uniting previously compartmentalized disciplines such as anthropology, archaeology, cultural history, museology and art history in their focus on material culture. This innovative, hybrid approach investigates the 'social life' of objects in order to understand them as they move through time and space and intersect the lives of all who came in contact with them. The resulting survey sets a new agenda for study of the First World War, and ultimately of all twentieth-century conflict.
Trench Art
Frontline soldiers in World War I were years ahead of the current fascination with "found object" art. Confined to trenches and dugouts for long periods between battles, soldiers and others involved in the war produced a dazzling array of items made from the waste of industrialized war. These items included engraved shell-cases, bullet-crucifixes, letter openers, cigarette lighters and pens made from shrapnel, and numerous national, regimental and religous images. These objects resonate with the at once terrifying and surreal world of the trenches and obviously had an influence on post-war art and literature. Nicholas Saunders is the foremost expert on "trench" art and this heavily illustrated book is, surprisingly, the first work devoted to the subject.
The Chaco War
In 1932 Bolivia and Paraguay went to war over the Chaco region in South America. The war lasted three years and approximately 52,000 Bolivians and Paraguayans died. Moving beyond the battlefields of the Chaco War, this volume highlights the forgotten narratives of the war. Studying the environmental, ethnic, and social realities of the war in both Bolivia and Paraguay, the contributors examine the conflict that took place between 1932 and 1936 and explore its relationship with and impact on nationalism, activism and modernity. Beginning with an overview of the war, the book goes on to explore many new approaches to the conflict, and the contributors address topics such as the environmental challenges faced by the forces involved, the role of indigenous peoples, the impact of oil nationalism and the conflict's aftermath. This is a volume that will be of interest to anyone working on modern Latin America and the relationship between war and society.
Postcards from the Trenches
German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the...
The Peoples of the Caribbean
This is a comprehensive sourcebook on the archaeology, folklore and mythology of the entire Caribbean region. Drawing on decades of study in the Caribbean and South America, it explores archaeological sites, like Caguana in Puerto Rico and plantation sites, like Jamaica's Drax hall.
