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--Winner of the 2015 Epigram Books Fiction Prize-- During the Christmas holidays in 2004, an earthquake in the Indian Ocean triggers a tsunami that devastates fourteen countries. Two couples from Singapore are vacationing in Phuket when the tsunami strikes. Alternating between the aftermath of the catastrophe and past events that led these characters to that fateful moment, Now That It’s Over weaves a tapestry of causality and regret, and chronicles the physical and emotional wreckage wrought by natural and manmade disasters.
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An intricate blend of mystery and horror with a feminist take on the roles of womanhood, especially motherhood, in contemporary times An unnamed young woman and her companion strike up a conversation in the dark in a quiet room, in the middle of nowhere. As they talk, the young woman starts to open up her life, to talk about her past and childhood, growing up in a single-parent household under poor impoverished conditions, living under the cold, steely eye of an estranged and manipulative mother who physically and emotionally abused her. The woman gradually divulges the lies and secrets that have plagued her life from a very young age, and how all of it has led her to make hard choices along...
A man looks back on his past and finds new meaning to life. Tian, a middle-aged man, moves into an old flat that had once belonged to his late father, to live out the rest of his life. As he goes about his days, he starts to reminisce about his childhood in a kampong in Singapore in the 1950s, and his friendship with Heng Chong, a schoolmate. Growing up, making their own fun and mischief, the boys developed a close friendship that was tested by the sudden appearance of a stray dog in their kampong. As secrets abounded and lies crept into their lives, a spark of retaliation soon set off a chain of events that led inevitably to an unforeseen tragedy that threw a long dark shadow over Tian's life. As he looks back to find the answers to the mystery that surrounded this tragedy, Tian gains a deeper understanding of his own past and the true nature of loss, regret, and redemption, and discovers new hope and a new life imbued with resilience, fortitude, and purpose.
With the backdrop of new global powers, this volume interrogates the state of writing in English. Strongly interdisciplinary, it challenges the prevailing orthodoxy of postcolonial literary theory. An insistence on fieldwork and linguistics makes this book scene-changing in its approach to understanding and reading emerging literature in English.
Singathology: 50 New Works by Celebrated Singaporean Writers is a stunning collection of original Singapore literature. The first of its kind, this two-volume anthology comprises 50 specially commissioned new works from past winners of the prestigious Cultural Medallion or Young Artist Award. Conceived as a celebration of Singapore literature to launch on the year of the nation’s jubilee, this anthology illustrates the richness and diversity of the island nation’s creative spirit. Traversing generations and genres, readers will encounter poetry, prose, comics and plays. Pieces written in mother tongue languages of Chinese, Tamil and Malay will be included in their original form, but will be accompanied by their English translations. These translations will ensure that, uniquely, many important literary voices will be heard in English for the first time. Edited by the literary expert, Dr Gwee Li Sui, Singathology is one of the most wide-ranging and important collections of Singapore literature ever published
The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected by guest editor Cyril Wong from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. This volume features short story contributions from Eva Aldea, Joelyn Alexandra, Jennifer Anne Champion, Andrew Cheah, Clara Chow, Noelle Q. de Jesus, Melissa De Silva, SC Gordon, Jon Gresham, Philip Holden, Amanda Lee Koe, Su Leong, Leonora Liow, Manish Melwani, Sam Ng, Nuraliah Norasid, O Thiam Chin, Jollin Tan, Verena Tay, Jason Wee, Daryl Qilin Yam, Yeo Wei Wei, Yeoh Jo-Ann, Yeow Kai Chai, Ovidia Yu, and Andrew Yuen.
“I don’t aspire to be nice. I do what is necessary to get what I want.” Born on the night of the nation’s independence, Gimme Lao is cheated of the honour of being Singapore’s firstborn son by a vindictive nurse. This forms the first of three things Gimme never knows about himself, the second being the circumstances surrounding his parents’ marriage, and the third being the profound (but often unintentional) impact he has on other people’s lives. Talented, determined and focused, young Gimme is confident he can sail the seven seas, but he does not anticipate his vessel would have to carry his mother’s ambition, his wife’s guilt and his son’s secret. Tracing social, economic and political issues over the past 50 years, this humorous novel uses Gimme as a hapless centre to expose all of Singapore’s ambitions, dirty linen and secret moments of tender humanity.
From the theme of the lost father-figure in stories, 'Fathers and Sons' and 'Nameless, ' to the openness of sexual relationships in the 'Orgy' and 'Two men and a plan', O Thiam Chin daringly explores the contrasting and contemplative facets of daily living and experience in Singapore. With boldness and ingenuity, he juxtaposes real-life events with a touch of fictional narrative in 'Crash and Burn, ' 'Suicide Bomber' and 'Another Day in the Life of a Domestic Helper, ' and illuminates the secret lives hidden behind these events.