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Three Revolutions: Mobilization and Change in Contemporary Ukraine I
Volume One of Three Revolutions presents the overall research and discussions on topics related to the revolutionary events that have unfolded in Ukraine since 1990. The three revolutions referred to in this project include: the Revolution on Granite (1990); the Orange Revolution (2004–2005); and the Euromaidan Revolution (2013–2014). The project’s overall goal was to determine the extent to which we have the right to use the term “revolution” in relation to these events. Moreover, the research also uncovered the methodological problems associated with this task. Lastly, the project investigated to what extent the three revolutions are connected to each other and to what extent they are detached. Hence, the research in this volume not only discusses the theoretical aspects but also provides new analyses on such issues as religion, memory, and identity in Ukraine.
UCRANIA EN SU HISTORIA Y SUS HISTORIAS
Hasta hace muy poco, en nuestro debate era una rara avis poder escuchar a ucranianos hablar en primera persona de sus experiencias y compartir sus perspectivas, sus anhelos, como el sujeto histórico que conforman. Este libro, anterior a la invasión rusa a gran escala de 2022, surgió en gran medida en respuesta a ello. Era necesario entonces y sigue siéndolo ahora: el futuro de Ucrania como país europeo libre e independiente, un país normal, con una vida digna, sigue desgraciadamente en cuestión. Que se haya traducido al español un libro así, es muy buena noticia: en nuestra lengua y contexto cultural, es aún enorme el vacío de conocimiento sobre Ucrania - y más aún contada por intelectuales ucranianos.Así que por favor lean a estos autores y autoras ucranianas con calma, sin prejuicios ni ideas preconcebidas: escúchenles, tienen mucho que decir, que contar. Quién sabe, quizás se animen después a coger un avión y un tren - esos magníficos trenes ucranianos que me inspiraron a escribir allí - para conocer de primera mano las historias o, mejor aún, experiencias históricas vivas y personajes vivos que fluyen a través de estas páginas.
Postcolonial Europe? Essays on Post-Communist Literatures and Cultures
This collective monograph analyzes post-1989 Central and Eastern Europe through the paradigm of postcoloniality. Based on the assumption that both Western and Soviet imperialism emerged from European modernity, the book is a contribution to the development of a global postcolonial discourse based on a more extensive and nuanced geohistorical comparativism. It suggests that the inclusion of East-Central Europe in European identity might help resolve postcolonialism’s difficulties in coming to terms with both postcolonial and neo-colonial dimensions of contemporary Europe. Analyzing post-communist identity reconstructions under the impact of transformative political, economic and cultural experiences such as changes in perception of time and space (landscapes, cityscapes), migration and displacement, collective memory and trauma, objectifying gaze, cultural self-colonization, and language as a form of power, the book facilitates a mutually productive dialogue between postcolonialism and post-communism. Together the studies map the rich terrain of contemporary East-Central European creative writing and visual art, the latter highlighted through accompanying illustrations.
The Reception of East Slavic Literatures in the West and the East
This volume, edited by scholars from diverse backgrounds, stems from the original convergence of various geo-cultural viewpoints on the reception of East Slavic cultures and literatures (Russian, Ukrainian, Belarussian, Soviet): European viewpoints are juxtaposed with those of the Japanese, Chinese, Israeli areas. The volume offers a broad look at the history of the perception of these literatures in Europe, Italy, and East Asia (with special attention to their reception in Japan and China). Contacts, influences, meditations, and difficulties in the perception of literary and cultural phenomena are the subject of original comparative analyses. The vitality with which Slavic-Eastern literatures have found echoes in very distant environments, but also the evolution of the self-perception of Ukrainian literature over time, are among the topics.
Ukraine in Histories and Stories
This collection of texts by writers, historians, philosophers, political analysts, and opinion leaders combines reflections on Ukrainian history and analyses of the present with outlines of conceptual ideas and life stories. The authors present a multi-faceted image of Ukraine’s memory and reality touching upon topics from the Holodomor to Maidan, from the Russian aggression to cultural diversity, from the depth of the past to the complexity of the present. The contributors include Ola Hnatiuk, Irena Karpa, Haska Shyyan, Larysa Denysenko, Hanna Shelest, Andriy Kulakov, Yaroslav Hrytsak, Serhii Plokhy, Yuri Andrukhovych, Andriy Kurkov, Andrij Bondar, Vakhtang Kebuladze, Volodymyr Rafeenko, Alim Aliev, Leonid Finberg, and Andriy Portnov. The book was initially published by Internews Ukraine and UkraineWorld with the support of the Ukrainian Cultural Foundation.
Contemporary Ukraine on the Cultural Map of Europe
The concept of a 'return to Europe' has been integral to the movement for Ukrainian national rebirth since the nineteenth century. While the goal of a more fully reformed politics remains elusive, numerous expressions of Ukrainian culture continue to develop in the European spirit. This wide-ranging book explores Ukraine's European cultural connection, especially as it has been reestablished since the country achieved independence in 1991. The contributors discusses many aspects of Ukraine's contemporary culture - history, politics, and religion in Part I; literary culture in Part II; and language, popular culture, and the arts in Part III. What emerges is a fascinating picture of a young country grappling with its divided past and its colonial heritage, yet asserting its voice and preferences amid the diverse and at times conflicting realities of the contemporary political scene. Europe becomes a powerful point of reference, a measure against which the situation in post-independence Ukraine is gouged and debated. This framework allows for a better understanding of the complexities deeply ingrained in the social fabric of Ukrainian society.
Shakespeare in Ukraine
Often regarded as a playwright “beyond nationality,” Shakespeare has played a central role in Ukraine's cultural history over the past two centuries. His works have served as both a lens for exploring Ukraine’s historical and cultural identity and as a shared medium through which Ukrainian poets, dramatists, and theatre artists have communicated with the world. Shakespeare in Ukraine: Mirror, Prism, Megaphone, by award-winning Shakespearean and theatre historian Irena R. Makaryk, analyzes key moments of Ukraine’s engagement with Shakespeare. The text traces the evolution of Shakespeare in Ukraine, from his early influence on figures like Taras Shevchenko and Lesya Ukrainka to the gro...
Occupied
For most of the population of Europe and East and Southeast Asia, the most persistent and significant aspect of their experience of the Second World War was that of occupation by one or more of the Axis powers. In this ambitious and wide-ranging study, Aviel Roshwald brings us the first single-authored, comparative treatment of European and Asian responses to German and Japanese occupation during the war. He illustrates how patriotic, ethno-national, and internationalist identities were manipulated, exploited, reconstructed and reinvented as a result of the wholesale dismantling of states and redrawing of borders. Using eleven case studies from across the two continents, he examines how behavioral choices around collaboration and resistance were conditioned by existing identities or loyalties as well as by short-term cost–benefit calculations, opportunism, or coercion.
The Sarmatian Review
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Courage and Fear
Courage and Fear is a study of a multicultural city in times when all norms collapse. Ola Hnatiuk presents a meticulously documented portrait of Lviv’s ethnically diverse intelligentsia during World War Two. As the Soviet, Nazi, and once again Soviet occupations tear the city’s social fabric apart, groups of Polish, Ukrainian, and Jewish doctors, academics, and artists try to survive, struggling to manage complex relationships and to uphold their ethos. As their pre-war lives are violently upended, courage and fear shape their actions. Ola Hnatiuk employs diverse sources in several languages to tell the story of Lviv from a multi-ethnic perspective and to challenge the national narratives dominant in Central and Eastern Europe.
