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Performance, Iconography, Reception
Performance, Reception, Iconography assembles twenty-three papers from an international group of scholars who engage with, and develop, the seminal work of Oliver Taplin. Oliver Taplin has for over three decades been at the forefront of innovation in the study of Greek literature, and of the Greek theatre, tragic and comic, in particular. The studies in this volume centre on three key areas - the performance of Greek literature, the interactions between literature and the visual realm of iconography, and the reception and appropriation of Greek literature, and of Greek culture more widely, in subsequent historical periods.
Theatre and Metatheatre
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings...
Mask and Performance in Greek Tragedy
A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.
Retracing the History of Literary Translation in Poland
This book, the first of its kind for an English-language audience, introduces a fresh perspective on the Polish literary translation landscape, providing unique insights into the social, political, and ideological underpinnings of Polish translation history. Employing a problem-based approach, the book creates a map of different research directions in the history of literary translation in Poland, highlighting a holistic perspective on the discipline’s development in the region. The four sections explore topics of particular interest in current translation research, including translation and cultural borderlands, the agency of women translators, translators as intercultural mediators, and ...
The Lost History of Roman Theatre
Investigating the origins of theatre in archaic Rome Theatre was an integral part of Roman civic, religious and political life for nearly a thousand years, but our understanding of it is skewed by the haphazard survival of usable evidence. The widely accepted date for the beginning of Roman drama is 240 BC, but that is only the date of the first known dramatic works. Theatre as a public spectacle was created in Athens and in Greek Sicily at the end of the sixth century BC, when the culture of Rome, to judge by the archaeological evidence, was itself thoroughly Greek. There is therefore no need to imagine that the Romans knew nothing of drama until centuries after its inception. In The Lost H...
Between Jerusalem and Athens
How does a theatrical tradition emerge in the fields of dramatic writing and artistic performance? How can a culture in which theatre played no part in the past create a theatrical tradition in the modern world? How do political and social conditions affect the encounter between cultures, and what role do they play in creating a theatre with a distinctive identity? This volume attempts to answer these and other questions in the first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years. Exploring how engagement with classical culture has shaped the evolution of Israel's theatrical identity, it draws on both dramatic and aesthetic issues - from mise...
Sophocles
Sophocles stands as one of the greatest dramatists of all time, influencing a vast array of artists and thinkers over the centuries. Disturbing and unrelenting, his tragedies portray what Matthew Arnold referred to as 'the turbid ebb and flow of human misery', allowing the audience to stand on the verge of the abyss and confront the waste and disorder of human existence. The heroic myths reinterpreted in the plays locate them within a world in which the extremes of human emotion in its darkest hours can be freely explored. It is, however, the creativity of Sophocles' plays which prevents them from descending into unbridled chaos or despair. The unflinching engagement with heartrending suffer...
Literature in the Greek World
In this refreshing volume, we are offered a new perspective on Greek literature, based on the conviction that our present appreciation for it should be informed and influenced by how it was originally perceived. From the earliest surviving Greek poetry to the drama, history, and philosophy of Greece under Roman rule, this book focuses on the "receivers" of Greek literature-the readers, spectators, and audiences who first witnessed the works over two thousand years ago. Six contributors map out the lively and provocative surveys, covering the kinds of literature that have shaped Western culture--epic, lyric, tragedy, comedy, history, philosophy, elegy, satire, biography, and panegyric.
Greek Tragedy in Action
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances. Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated. Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.
The Bulletin
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