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Inventing Comics
Inventing Comics recovers and translates two of Rudolphe Töpffer’s nineteenth-century essays on the rhetorical invention of comics, an amateur aesthetic practice of the popular image. Growing out of contemporary philosophical thought, these essays reflect an early iteration of post-critical thought in the cultural and institutional shift from literacy to electracy.
Orlando in Love
Like Ariosto's Orlando Furioso and Tasso's Jerusalem Delivered, Boiardo's chivalric stories of lords and ladies first entertained the culturally innovative court of Ferrara in the Italian Renaissance. Inventive, humorous, inexhaustible, the story recounts Orlando's love-stricken pursuit of "the fairest of her Sex, Angelica" (in Milton's terms) through a fairyland that combines the military valors of Charlemagne's knights and their famous horses with the enchantments of King Arthur's court. Today it seems more than ever appropriate to offer a new, unabridged edition of Boiardo's Orlando Innamorato, the first Renaissance epic about the common customs of, and the conflicts between, Christian Eu...
Ready to Wear
Ready to Wear: A Rhetoric of Wearable Computers and Reality-Shifting Media explores how and to what ends wearable inventions and technologies augment or remix reality, as well as the claims used to promote them. As computer components shrink and our mobile culture normalizes, we wear computers on the body to create immersive experiences.
New Media/New Methods
The essays in New Media/New Methods: The Academic Turn from Literacy to Electracy pose an invention-based approach to new media studies. They represent a specific school of theory that has emerged from the work of graduates of the University of Florida. Working from the concept of electracy, as opposed to literacy, contributors pose various heuristics for new media rhetoric and theory.
Writing Spaces: Readings on Writings, Vol. 2
Volumes in Writing Spaces: Readings on Writing offer multiple perspec- tives on a wide-range of topics about writing. In each chapter, authors present their unique views, insights, and strategies for writing by ad- dressing the undergraduate reader directly. Drawing on their own ex- periences, these teachers-as-writers invite students to join in the larger conversation about the craft of writing. Consequently, each essay func- tions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.
Future Texts
Future Texts: Subversive Performance and Feminist Bodies sketches several possibilities for future texts, those that imagine new pathways through the forms used to express contemporary questions of race, gender, and identity. Future Texts: Subversive Performance and Feminist Bodies’ area of investigation is situated within popular culture, not as a place of critique or celebration, but rather as a contested site that crosses an array of media forms, from music video, to games, to global journalism. While there is an established tradition in feminist writing founded on experimental expression that disrupts patriarchal culture, it has too often failed to consider issues of race and class. Th...
First-Year University Writing
First-Year Writing describes significant language patterns in college writing today, how they are different from expert academic writing, and how to inform teaching and assessment with corpus-based linguistic and rhetorical genre analysis.
Writing Spaces: Readings on Writings, Vol. 1
Volumes in Writing Spaces: Readings on Writing offer multiple perspec- tives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.
Physis
Pesqus weaves philosophical reflection in and out of an encounter with the body of the mountain he views from his window, the body of language, and the human body that bridges the two.
Divination Machine
F. Daniel Rzicznek is a shapeshifter of poets-sometimes a watchful heron, sometimes a wheeling hawk, sometimes a gliding owl, and always an exquisitely observant crow. Poetry, he says, is a paranormal event. DIVINATION MACHINE makes the case. -Djelloul Marbrook We have confessional poets, who write about themselves; nature poets, who write about place; experimental poets, who write about language. And we have F. Daniel Rzicznek, who finds "many centers to the world," whose DIVINATION MACHINE resists simplification into any one category. Rzicznek is a poet for whom "Everything / is a piece of the vision."- H. L. Hix F. DANIEL RZICZNEK'S previous collections of poetry include NECK OF THE WORLD...
