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In Shadow’s Prisoners a cascade of death sweeps the town where fifteen year-old Peter Livingston lives in an old funeral home. After he discovers a horrific and unexplained fact about what the family business is all about, he enlists the aid of a doctor, a teacher, his uncle, and a soon-to-retire FBI agent to find out what is killing the town's pets and children. The secret, known to Peter's father, a prison warden, and a strange bird, involves reviving the dead and trying to send them through an old Underground Railroad tunnel back to jail - all of which doesn't work out as planned.
“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy. Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.
In a violently divided Northern Ireland, two families confront fear, survival, and their fragile hope for something more . . . Belfast, 1972. On the Crumlin Road, the sectarian Troubles have forced Tom Martin to take drastic measures to protect his family. Across the divide, William McManus pursues his own bloody code, murdering for a cause. When both men underestimate the power of love and the belief in right and wrong it threatens to shake the lives of both families with greater impact than any bomb blast. This compelling, challenging, historical novel tells a timeless story of conflict between and within families, driven by religion, loyalty, and love. Praise for the novels of Deirdre Quiery “Sinister, mysterious, redemptive.” —Rose McGinty, author of Electric Souk “A beautifully conjured story of the depths of the human heart.” —Richard Rohr, New York Times–bestselling author of Breathing Under Water
Many readers of the Bible assume that when Jesus did a miracle it was, fundamentally, to prove that He was God—Jesus was pulling out His “God Card.” What is startling is that Jesus never made the case that this was the primary purpose of His miracles. What if Jesus was intending to reveal something different, something more, something beyond merely proving His identity? Seeing as Jesus’ miracles were such a significant part of His ministry, if we miss what His miracles do reveal, we may be missing out on great insights into the One who loves us and came to rescue us. Like the restoration of a great Old Master’s painting, Brian leads his readers to a fresh vision of what is conveyed in the Gospel accounts of Jesus’ miracles. Uncovering what is there, in the text, we see the miracles in a reinvigorated, vibrant way. You will never read about the miracles in the same way . . . and you will catch a renewed and compelling glimpse of Jesus.