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Caring for Plastics in Collections
Caring for Plastics in Collections presents basic knowledge of plastics in an accessible way and empowers readers to determine the best approach for care, taking into account the resources at their institution and the needs of their specific collection. Drawing on the author’s 20 years of experience working as an Objects Conservator, the book defines what a plastic is; which plastics are most worrisome in collections and why; and how you can identify plastics, monitor them, and mitigate issues. Clarifying that there are guidelines that all plastics will benefit from, Coughlin outlines a gradual, consistent approach to care that is supplemented by 25 case studies from 10 institutions. Knowi...
Roy Lichtenstein
The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.
Science and Art
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. Following on from the 2014 title Science and Art: The Painted Surface, this book consists of a series of chapters written together by scientists, art historians, conservators, curators and artists dedicated to conservation, execution techniques, languages and conceptual topics. Science and Art: The Contemporary Painted Surface largely covers execution techniques, material’s conservation and languages ...
Lost, Loose and Loved
This broad collective exhibition reflects the vitality and vivacity of the art scene in all its complexity, displaying the different creative trends which took hold in the city inside and outside the School of Paris at a time of fervent political debate, held to the backdrop of the new global stage opened by the Cold War. From a broad array of artistic fields, from painting and sculpture to jazz, literature and film, foreign artists dealt with mounting tension by bringing their approaches and hopes to the Parisian milieu in an attempt to connect with the tradition of international modernism but without losing a grip on their own cultural identity.
Preservation of Plastic Artefacts in Museum Collections
This book is created for the conservation community interested in the preservation of art and design works that happen to be made out of a wide variety of plastic formulations. It gathers a bulk of knowledge that is a record of the latest conservation science and technology as applied to plastic works of art, gained during the POPART project - the Preservation Of Plastic ARTefacts in museum collections: a forty two-month international research project part-funded by the European Commission.
Made in Los Angeles
In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. Made in Los Angeles focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, feat...
Cai Guo-Qiang
This groundbreaking book provides the first material study of the celebrated contemporary artist Cai Guo-Qiang, known worldwide for his use of subversive materials, particularly gunpowder. Cai Guo-Qiang (China, b. 1957) is among the most prominent contemporary artists active today. His prolific, diverse creative practice--which includes gunpowder drawings and paintings, explosion events, videos, multimedia installations, and site-specific works--draws on a personal belief system that freely blends symbols and tenets from Eastern and Western traditions. Cai's output seeks to establish dialogues among different cultures, different periods of time, and even different species--always while probi...
Living Matter
"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--
