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The Canadian Forum
Includes critical reviews.
Bootleggers and Borders
Between 1920 and 1933 the issue of prohibition proved to be the greatest challenge to Canada-U.S. relations. When the United States adopted national prohibition in 1920—ironically, just as Canada was abandoning its own national and provincial experiments with prohibition—U.S. tourists and dollars promptly headed north and Canadian liquor went south. Despite repeated efforts, Americans were unable to secure Canadian assistance in enforcing American prohibition laws until 1930. Bootleggers and Borders explores the important but surprisingly overlooked Canada-U.S. relationship in the Pacific Northwest during Prohibition. Stephen T. Moore maintains that the reason Prohibition created such an...
Embattled Shadows
Embattled Shadows is the first and only history of Canadian film making in the years before the establishment of the National Film Board of Canada in 1939. It begins with an entertaining account of the travelling showmen who brought the movies to large and small communities across the country, and discusses the films produced in Canada before World War I. In the atmosphere of heightened nationalism during and after the war there was a determined attempt to establish a film industry. Peter Morris chronicles its occasional successes while, at the same time, examining the reasons behind its ultimate failure -- using the colourful career of the independent producer Ernest Shipman ("Ten Percent Ernie") as a particular reference. He goes on to describe the establishment and eventual collapse of both the federal and Ontario governments' Motion Picture Bureaus. By the Thirties, with the connivance of the Canadian government, Canadian feature film production had deteriorated to the point of turning out "quota" films from the Hollywood mould.
Register. 1860/61-
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The London Stage 1890-1899
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major c...
