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Pretty Good for a Girl
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.
Minnesota Collections in the Archive of Folk Culture
Describes the Archive of Folk Culture's unpublished ethnographic collections that document the traditional music and other aspects of Minnesota folklife.
Carnival, Canboulay and Calypso
Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.
Nothing But the Blues
Eleven essays trace the origins of the Blues, early recordings, different styles, and more. Photographs of many of the musicians are included.
Black Song
The story of the roots of the Afro-American spiritual and its influence on blues, country, jazz, rock and classical music.
