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Roald Hoffmann on the Philosophy, Art, and Science of Chemistry
Nobel laureate Roald Hoffmann's contributions to chemistry are well known. Less well known, however, is that over a career that spans nearly fifty years, Hoffmann has thought and written extensively about a wide variety of other topics, such as chemistry's relationship to philosophy, literature, and the arts, including the nature of chemical reasoning, the role of symbolism and writing in science, and the relationship between art and craft and science. In Roald Hoffmann on the Philosophy, Art, and Science of Chemistry, Jeffrey Kovac and Michael Weisberg bring together twenty-eight of Hoffmann's most important essays. Gathered here are Hoffmann's most philosophically significant and interesti...
The Same and Not the Same
Nobel laureate Roald Hoffman confronts some of the major ethical controversies in chemistry today. Expertly weaving together examples from the worlds of art, literature, and philosophy, Hoffmann illustrates his uniquely accessible dialectic about the creative activity of chemists.
Oxygen
What motivates a scientist? One key factor is the pressure from the competition to be the first to discover something new. The moral consequences of this are the subject of the play "Oxygen", dealing with the discovery of this all-important element. The focus of the play is on chemical and political revolutions, as well as the Nobel Prize, which will be awarded for the 100th time in 2001. The action takes place in 1777 and 2001; and the play is written for 3 actors and 3 actresses who play a total of 11 characters. The world premiere will take place in early 2001 in San Diego, and the German premiere in September. The world-famous authors Carl Djerassi and Roald Hoffmann are a guarantee of excellence and suspense, both in their role as scientists -- Carl Djerassi is known as the "Father of the Pill" while Roald Hoffmann received the Nobel Prize for chemistry in 1982 - as well as in their role as authors -- Djerassi has written several successful novels, while Hoffmann is renowned for his poetry.
Solids and Surfaces
Dieses einzigartige Buch läßt Chemie und Physik im festen Zustand und auf Oberflächen 'zusammentreffen'. In einer lebhaften und anschaulichen Weise bringt es Chemikern die Sprache bei, mit der sie die Elektronenstruktur ausgedehnter Systeme verstehen lernen können. Gleichzeitig zeigt es, wie auch von Seiten der Chemie Modelle über den festen Zustand sowie über Bindungen und Reaktivität von Oberflächen erstellt werden können. Das Buch bedient sich zunächst der Sprache von Kristallorbitalen, Bandstrukturen und Zustandsdichten. Danach stellt es die Werkzeuge bereit, mit denen der Leser weg von den stark delokalisierten Orbitalen des Festkörpers gelangt, darunter der Zerfall von Zusta...
Roald Hoffmann on the Philosophy, Art, and Science of Chemistry
"Roald Hoffmann's contributions to chemistry are well known; this Nobel laureate has published more than 500 articles and two books. As an "applied theoretical chemist," he has made significant contributions to our understanding of chemical bonding and reactivity, and taught two generations of chemists how to use molecular orbitals for real chemistry. Less well known, however, are Hoffmann's important and insightful contributions to the areas of scholarship surrounding chemistry. Over a career that spans nearly fifty years, Roald Hoffmann has thought and written copiously about the broader context of chemistry and its relationship to the arts and poetry. This book contains Hoffmann's essays ...
CHEM IMAGINED PB
Beautifully produced. Intended for non-scientists. The focus in this melding of science and art is on the social, cultural, literary, and psychological context of chemistry. Hoffman (Nobel Prize in Chemistry, 1981) provides essays, personal commentary, and poems; artist Torrence has prepared intriguing collages to accompany the text. Alas, no index. Annotation copyright by Book News, Inc., Portland, OR
CHEM IMAGINED
Discusses chemical discoveries, processes, and personalities in a humanistic manner.
The Constants of the Motion
Poetry. In Roald Hoffmann's latest poetry collection, he casts his inquisitive mind and love for words and syntax on the worlds he encounters. In a winter retreat in inland Provence, he ponders the long-cultivated land around, and its little treasures. Midst that beauty, he cannot stop thinking of the wounds to his family in the Holocaust. Then, an intense interaction with the crafts community in the Penland School of Crafts in North Carolina leads to a strong set of poems. A commission to write a poem for the 50th anniversary of the Watson and Crick paper might be rejected; it still yields three good poems, as does the puzzle of a Japanese mountain god who does not work at night, lest he frighten humans. Why? The collection ends in the forests of the Santa Cruz Mountains of California, midst manzanita and redwoods, reaching for consilience. Roald loves words, and the conjunctions of sound and meaning that can be woven from them. From wherever in the world he has been (and that includes a desperate time in his childhood), he brings back a abiding feeling of quiet beauty, of science and nature at peace with each other.
Soliton
In Roald Hoffmann's fourth collection of poetry, 'Soliton', we face the full scope and power of his outlook -- he writes of nature and bittersweet love, Jewish themes and his Holocaust survival. His poems build on phrases and words under stress, with great respect for the power of the language. Sometimes they are funny, and always carefully observed and reflective. His work is intriguing, mysterious, ambitious, and accomplished.
Something That Belongs to You
Drama. Poetry. Jewish Studies. In 38 short scenes, alternating between 1992 in Philadelphia and 1943-1944 in Gribniv, Ukraine, there emerges in SOMETHING THAT BELONGS TO YOU a story of survival and memory, of complex Ukrainian-Jewish relations, of struggles to remember and forgive. The language of this autobiographical play is poetic (especially in the wartime scenes ) and there are in it flashes of humor, even burlesque. The underlying themes are of coming to term with great loss, of the importance of both remembering and forgetting on the way to forgiving, and of the choices, always there, that human beings must make between good and evil in terrible times.
