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They’re smart, sexy, and supernatural. They’re the men and women of the Otherworld—a realm of witches, ghosts, and werewolves who live unseen among us. Only now a reckless killer has torn down the wall, trapping one very human woman in the supernatural cross fire. Robyn Peltier moved to Los Angeles after her young husband’s sudden death, trying to put some distance between herself and her memories. Though she’s still grieving, the challenges of her new life as the PR consultant to Portia Kane—the world’s most famous celebutante wannabe—can sometimes be amusing, even distracting. But when her client is gunned down in the back room of a nightclub, Robyn is suddenly on the run a...
In the twentieth century, Christian eschatology, the doctrine about the final reality, became a storm center for Christian systematic theologians because of the rediscovery of the eschatological character of Jesus Christ. In the twenty-first century, Christian theologians continue to wrestle with the claims of Christian eschatology because of a postmodern suspicion of eschatological certainty claims about a future that is, after all, objectively unavailable, yet still of great human concern. Human beings live on hope for the future. An Eschatological Imagination recognizes the problem of the future for Christian eschatology. Building on the major theological writings of David Tracy, it offers a revised way of thinking and living eschatologically in the form of an eschatological imagination as a rhetoric of virtue, an exhortation to live in Christian hope in a postmodern world and into an objectively unavailable and uncertain future. Within such a rhetoric, hope becomes action - not mere sentiment - that seeks to create a Christian eschatological future.