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From the contents: African children's literature or literature for African children? (Sam Mbure).- Information ou intoxication?: le role du peritexte dans quelques ouvrages de romancieres africaines publies a l'intention des jeunes(Jean-Marie Volet).- Theatre for children in South Africa (Zakes Mda).- Children's literature in Nigeria: revolutionary omissions (Marieh Linton Umeh).
The intention of this second volume of ASNEL Papers is to counter orthodox post-colonial emphases on alterity, subversion, and counter-discourse with another set of concepts: fusion, syncretism, hybridity, creolisation, cross-fertilisation, cross-cultural identity, diaspora. Topics covered include: gender and identity; syncretic aesthetics in Nigerian and South African performing arts; hyphenated identities in diasporic fiction; reversals of colonial mimicry in Ugandan fiction; cultural reflexivity in the Victorian juvenile novel; the persistence of colonial traits in Zimbabwean war fiction; syncretic strategies of resistance in African prison memoirs; indigene life-histories and intercultur...
De essays in deze bundel behandelen onder meer de representatie van sekse en sekserollen, de invloed van feministische kritiek, en het genderaspect in de (post)moderne tijd, zoals voorkomt in Britse en Amerikaanse literaire werken en films. In deel I en II (Theory en Fiction) aandacht voor o.a: Kristeva's Desire in language, Echo door Violet Trefusis, The magic toyshop door Angela Carter, Dystopia door Margaret Atwood, The passion en Sexing the cherry door Jeanette Winterson. In deel III (Film) o.a. aandacht voor Marlène Dietrich; de volgende films komen aan de orde: The big heat van Fritz Lang, South Pacific, Rear window van Alfred Hitchcock, Breakfast at Tiffany's, The purple rose of Cairo, When Harry met Sally, Switch van Blake Edwards, The silence of the lambs van Thomas Harris.
Matatu is a journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology. Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of "cultural authenticity" and "national liberation" towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on "Western" (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded ...
India in Africa, Africa in India traces the longstanding interaction between these two regions, showing that the Indian Ocean world provides many examples of cultural flows that belie our understanding of globalization as a recent phenomenon. This region has had, and continues to have, an internal integrity that touches the lives of its citizens in their commerce, their cultural exchanges, and their concepts of each other and of themselves in the world. These connections have deep historical roots, and their dynamics are not attributable solely to the effects of European colonialism, modernity, or contemporary globalization—although these forces have left their mark. The contributors to this interdisciplinary volume come from the fields of history, literature, dance, sociology, gender studies, and religion, making this collection unique in its recreation of an entire world too seldom considered as such.
After the Thrill Is Gone is a serious appraisal of what South African democracy has yielded and has failed to yield in the era following the heady expectations of liberation from apartheid's multiple repressions. Since that time, South Africa has revealed itself as a turbulent, dynamic nation. After the release of black political prisoners in 1990 and the first national democratic election in 1994, its citizens have witnessed a massive increase in crime, unemployment, and poverty and an educational system in chaos. In a range of politically inflected essays by philosophers, community activists, political scientists, sociologists, literary scholars, and cultural and postcolonial theorists--ma...
Published in dual print and electronic formats, this is a new, substantially recast and fully updated edition of a bibliography published over ten years ago (previous edition published as "Publishing and Book Development in Sub-Saharan Africa: An Annotated Bibliography", London: Hans Zell Publishers/Bowker-Saur, 1996). Covering both print and online resources, it charts the growth of publishing and book development in the countries of Africa south of the Sahara, as well as including a very large number of entries on many other topics as they relate to books and reading in Africa. With almost 3,000 critically annotated citations, it is the definitive bibliography, and the most complete documentation resource on the current state of the book on the African continent.