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The Renaissance
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The Culture of Power and the Power of Culture
In this fascinating new account of Old Regime Europe, T. C. W. Blanning explores the cultural revolution which transformed eighteenth-century Europe. During this period the court culture exemplified by Louis XIV's Versailles was pushed from the centre to the margins by the emergence of a new kind of space - the public sphere. The author shows how many of the world's most important cultural institutions developed in this space: the periodical, the newspaper, the novel, the lending library, the coffee house, the voluntary association, the journalist, and the critic. It was here that public opinion staked its claim to be the ultimate arbiter of culture and politics. For the established order this new force was to prove both a challenge and an opportunity and the author's comparative study of power and culture shows how regimes sought to keep their balance as the ground moved beneath their feet. In the process he explains, among other things, why Britain won the 'Second Hundred Years War' against France, how Prussia rose to become the dominant power in German-speaking Europe, and why the French monarchy collapsed.
Literary Nationalism in German and Japanese Germanistik
Literary Nationalism in German and Japanese Germanistik traces the convergence of German and Japanese metaphors for national literary spirit through the academic study of the German language and literature in Germanistik. Early notions of a spiritual link to the national literary tradition allowed speakers of German to imagine their unity before the existence of the modern German state, but the concept for spirit also gained various nuances in the works of such writers as Johann Wolfgang von Goethe, the Brothers Grimm, E.T.A. Hoffmann, and Hermann Hesse. Moreover, throughout the nineteenth and first half of the twentieth century, scholars and thinkers increasingly equated literary spirit wit...
Prometheus in Music
The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal Saint-Sa Holm Faur Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contras...
The Bookman
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