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Court jurisdiction covers Staffordshire, Derbyshire, Shropshire and Warwickshire.
When the Sydney police minister's son falls twenty floors to his death, the politics of murder ripple the city like a boulder into a pool. Caught in the wash is Detective Inspector Scobie Malone, as he uncovers an elaborate financial scheme, a series of cold-blooded precision killings, and layers of political intrigue. Scobie thinks he is immune to politics, but he is soon engulfed in its consequences: the police minister applies pressure, a millionaire banker becomes less than his public image, a hit man goes about his grisly work, and three of Sydney's most powerful (and libidinous) women give Scobie a glimpse of how life in Sydney really operates. Finally, when he is forced to accept aid from his onetime enemy, top criminal Jack Aldwych, now retired but still ruthless, Malone learns once again that when politics and money are arrayed against him, the odds are never even.
This is the first edition of Skelton's elaborate dream-allegory to be based on a thorough examination of extant texts. It represents a major revision of our knowledge of Skelton's career and of the form and meaning of the poem. Extensive introduction, notes, and glossary.
Do offenders have the right to be rehabilitated and should the state be responsible for their rehabilitation? Should the public expect punitive and coercive approaches to offender rehabilitation? Why should the state be interested in the reform of individuals and how can helping offenders be justified when there are other disadvantaged groups in society who are unable to access the services they desperately need? Finally, why does the state appear to target and criminalise certain groups and individuals and not others? These are just some of the questions asked in this new text, which offers an analysis of the delivery of rehabilitative services to offenders over the past two decades. It foc...
Civil records of Reading.
The Records of Early English Drama (REED) series aims to establish the context for the great drama of Britain's past by examining material related to drama, secular music, and other communal entertainment and ceremony from the Middle Ages until the mid-seventeenth century. This latest volume in the series is a collection of documentary evidence for dramatic performance, minstrelsy, and civic ceremony in Cheshire to 1642. Editors Elizabeth Baldwin and David Mills have provided introductions detailing the historical background and significance of the documents presented, as well as a full apparatus of document descriptions, explanatory and textual notes and glossaries. Cheshire completes the series of REED volumes on the West of England, and incorporates an updated version of the early Chester volume, as well as providing extensive new material on the county of Cheshire as a whole, making it an essential addition to this much-admired series.