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This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth’s “Rhetoric of Fiction” and the discussion of the concept in narratology and in the theory and practice of interpretation. The final chapter develops proposals for clarifying or replacing the concept.
In Biblical Exegesis without Authorial Intention? Interdisciplinary Approaches to Authorship and Meaning, Clarissa Breu offers interdisciplinary contributions to the question of the author in biblical interpretation with a focus on “death of the author” theory. The wide range of approaches represented in the volume comprises mostly postmodern theory (e. g. Jacques Derrida, Michel Foucault, Paul de Man, Julia Kristeva and Gilles Deleuze), but also the implied author and intentio operis. Furthermore, psychology, choreography, reader-response theories and anthropological studies are reflected. Inasmuch as the contributions demonstrate that biblical studies could utilize significantly more differentiated views on the author than are predominantly presumed within the discipline, it is an invitation to question the importance and place attributed to the author.
The book is concerned with a so called ethical midrash, Seder Eliyahu (also known as Tanna debe Eliyahu), a post-talmudic work probably composed in the ninth century. It provides a survey of the research on this late midrash followed by five studies of different aspects related to what is designated as the work’s narratology. These include a discussion of the problem of the apparent pseudo-epigraphy of the work and of the multiple voices of the text; a description of the various narrative types which the work, itself as a whole of non-narrative character, makes use of; a detailed treatment of Seder Eliyahu’s parables and most characteristic first person narratives (an extremely unusual form of narrative discourse in rabbinic literature); as well as a final chapter dedicated to selected women stories in this late midrash. As it emerges from the survey in chapter 1 such a narratologically informed study of Seder Eliyahu represents a new approach in the research on a work that is clearly the product of a time of transition in Jewish literature.
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discu...
A history of the South Louisiana, German community of Roberts Cove from 1880 to 2007, including an extensive genealogy of the original families that settled the area; by Reinhart Kondert, with genealogy by Lawrence and Mary Cramer.
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Summaries of theses and monographs.
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