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Reframing Modernism: Painting from Southeast Asia, Europe and Beyond
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Modern Art of Southeast Asia: Introductions from A to Z
Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.
Liu Kang
This monograph positions Liu Kang, one of Singapore’s first generation artists, as observer, commentator, and visionary of modernity in Singapore art history. The contexts in which his works were created consist of a colourful map of diverse cultures, places and influences, spanning China, Europe and Southeast Asia. The cross-cultural richness in Liu Kang’s way of seeing and art making are explored in four essays by curators and art researchers. These essays present fresh insights into the artist’s engagement with European and Chinese modernisms in a Singaporean context. The book also contains 208 colour illustrations and archival photographs, as well as an index and a glossary.
Intersections, Innovations, Institutions: A Reader In Singapore Modern Art
Intersections, Innovations, Institutions: A Reader in Singapore Modern Art is the second of two volumes of readers which the editors had published on Singapore art. The first volume, Histories, Practices, Interventions: A Reader in Singapore Contemporary Art, was published in 2016. Like the first volume, Intersections, Innovations, Institutions brings together historically important writings but the scope is on modern artistic practices in Singapore from the 19th century to the 1980s. The aim of this book is to make these writings accessible for research and scholarship and for new histories and narratives to be constructed about the modern in Singapore art.Bundle set: A Reader in Singapore Modern and Contemporary ArtRelated Link(s)
The Story of Yeh Chi Wei
"The essays in volume one examine his contributions and the influence of diverse cultural and historical resources in his paintings. There are also biographical portraits by family and former students. The works in the exhibition are showcased in 120 colour plates. Volume two, contained in the enclosed CDR, consists of the essays in volume one in Chinese, historical publications and relevant images. There are eight essays by Yeh Chi Wei written and published between 1960 and 1972. 18 articles by various writers on Yeh Chi Wei and the Ten Men Group, written and published between 1961 and 2010, have also been reprinted. All these essays, articles and publications are accompanied by new English translations. Past exhibition catalogues on Yeh and the Ten Men artists have also been reproduced. Volume two includes images of artefacts and books from the artist's own collections"--P. 4 of cover.
BiblioAsia
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Siapa Nama Kamu?
This album offers an overview of Siapa Nama Kamu? through an inspired selection of 100 works from the exhibition. Beautifully reproduced in full color, these images tell the story of nearly two centuries of art in Singapore--one of diverse influences, shared impulses and ceaseless flux. Accompanying curatorial texts explain the themes and concerns of the exhibition, making for a compelling look at the most comprehensive survey of art in Singapore to date.
Government Gazette
Certain issues called also Regulation gazette no. 1-
